A man bathes in an ice hole in the Neva River in St. Petersburg, Russia, Wednesday, January 13, 2021. The temperature in St. Petersburg is –15C ( 5 °F). (Photo by Dmitri Lovetsky/AP Photo)

The "Skylanders Eruptor" balloon moves by people on balconies during the 89th Macy's Thanksgiving Day Parade in the Manhattan borough of New York, November 26, 2015. (Photo by Andrew Kelly/Reuters)

Jared Leto poses with fans for a selfie during the “Clear Channel Media and Entertainment” at the 2014 Cannes Lions on June 18, 2014 in Cannes, France. (Photo by Didier Baverel/WireImage)

“Jason deCaires Taylor is an English sculptor specialising in the creation of contemporary underwater sculptures which over time develop into artificial coral reefs. Taylor integrates his skills as a conservationist, underwater photographer and scuba diving instructor to produce unique installations that encourage the habitation and growth of corals and marine life”. – Wikipedia. Photo: “The Silent Evolution”. Underwater Sculpture, Museo Subacuático de Arte, Cancun. (Photo by Jason deCaires Taylor/UnderwaterSculpture)

Crystal ice cubes at Jingyuetan National Forest Park attract tourists in Changchun City, northeast China's Jilin Province on January 10, 2024. (Photo by Splash News and Pictures)

A young marcher high fives the crowd as Australian military personnel, past and present, commemorate ANZAC Day during a parade through the city centre in Sydney, Australia on April 25, 2023. (Photo by Jaimi Joy/Reuters)

In this image released on February 5th – Models walk the runway at the Cihan Nacar show on February 04, 2021 in Kyiv, Ukraine. (Photo by Ferhat Zupcevic/Getty Images for Cihan Nacar)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.