Artist Heather Dewey-Hagborg's 'Stranger Visions', comprising of 3D printed faces extracted from DNA taken from discarded cigarette butts and chewing gum, is displayed at the Big Bang Data exhibition at Somerset House on December 2, 2015 in London, England. The show highlights the data explosion that's radically transforming our lives. It opens on December 3, 2015 and runs until February 28, 2016 at Somerset House. (Photo by Peter Macdiarmid/Getty Images for Somerset House)

An orphaned giraffe nuzzling a wildlife keeper at Sarara camp in Kenya, one of 70 pictures being sold by Prints for Nature (printsfornature.com) to raise money for work by the Conservation International charity. This giraffe was rehabilitated and returned to the wild, as a number of others have done before him. Right now, giraffe are undergoing what has been referred to as a silent extinction. Current estimates are that giraffe populations across Africa have dropped 40 percent in three decades, plummeting from approximately 155,000 in the late 1980s to under 100,000 today. (Photo by Ami Vitale/National Geographic)

Black Live Matter march from Clapham Common (led by Iman, the Forever Family Force and the Slow Boys, on motorbikes) to join the Stop the Maangamizi: Afrikan Emancipation Day Reparations Rebellion in London, UK on August 1, 2020. They aim to lock-down Brixton because “WE/they are not being HEARD” in their demand for the UK Government to establish the All-Party Parliamentary Commission of Inquiry for Truth & Reparatory Justice. (Photo by Guy Bell/Alamy Live News)

Mariam Ashraf, a teacher and “natural hair influencer”, speaks before a phone on a tripod and lights during a live-stream at her home in Egypt's capital Cairo on March 22, 2022. “Shaggy”, “messy”, “unprofessional”. Natural curls were once looked down upon in Egypt, where Western beauty standards favoured sleek, straight locks. Now, things are changing. (Photo by Khaled Desouki/AFP Photo)

An artwork entitled “Are you still mad at me?” by John Isaacs is displayed at the Death: A Self-portrait exhibition at the Wellcome Collection on November 14, 2012 in London, England. The exhibition showcases 300 works from a unique collection by Richard Harris, a former antique print dealer from Chicago, devoted to the iconography of death. The display highlights art works, historical artifacts, anatomical illustrations and ephemera from around the world and opens on November 15, 2012 until February 24, 2013. (Photo by Peter Macdiarmid)

Workers demonstrate outside the factory of Hua Yang Printing Holdings Co Ltd on October 30, 2007 in Shenzhen of Guangdong Province, China. Over 1,000 workers of the company have blocked the 107 State Highway where the firm is located, to protest against their employer, who owed half a month's salary to the workers. (Photo by China Photos/Getty Images)

A group of dust covered child labourers gather for a portrait in the brick kiln in Kathmandu Valley, Nepal, 22 February 2015. Bleak photos identify the children working their fingers to the bone in Nepalís brick kilns. Photographer Jan Mˆller Hansen documented the conditions of the brick kilns in Kathmandu Valley, Nepal between 2013 and 2016 while he lived and worked in the area. Jan estimates between 150,000 and 175,000 people are employed in the 200 brick kilns littering the Kathmandu Valley. (Photo by Jan Moeller Hansen/Barcroft Images)