People wait for Pope Francis to celebrate mass at the Franso Hariri Stadium in Irbil, Kurdistan Region of Iraq, Sunday, March 7, 2021. The Vatican and the pope have frequently insisted on the need to preserve Iraq's ancient Christian communities and create the security, economic and social conditions for those who have left to return (Photo by Andrew Medichini/AP Photo)

A man carries a child in a wheelbarrow near a burning tire barricade in the framework of the protests of the last three days due to the increase in fuel prices, in Port-au-Prince, Haiti, 09 July 2018. Haiti was today practically paralyzed by a transport strike after three days of violent riots due to an increase in fuel prices, which the Government left without effect shortly after the announcement. The Prime Minister, Jack Guy Lafontant, today heads a meeting with representatives of Parliament to assess the situation created after the violent protests, which have left at least three dead and several injured. (Photo by Jean Marc Hervé Abelard/EPA/EFE)

City workers transport a load of sandbags to be used in re-enforcing a levee gate past the Yazoo & Mississippi Valley Railroad Station May 11, 2011 in Vicksburg, Mississippi. The Mississippi river at Vicksburg is expected to crest at a record 58.5 feet. Heavy rains have left the ground saturated, rivers swollen, and have caused widespread flooding in Missouri, Illinois, Kentucky, Tennessee, and Arkansas. (Photo by Scott Olson/Getty Images)

Artist Christopher Lovell counts himself lucky to have been a child of the 80s. The toys, cartoons and movies of the era left him spellbound, fueling his imagination. He finds this inspiration allows him to express himself very naturally through his art. Having developed a deep interest in fantasy and sci-fi, he spent his childhood and teen years immersed in every aspect of creativity he could access.

This photo taken on July 19, 2020 shows a security guard looking at his smartphone while water is released from the Three Gorges Dam, a gigantic hydropower project on the Yangtze river, to relieve flood pressure in Yichang, central China's Hubei province. Rising waters across central and eastern China have left over 140 people dead or missing, and floods have affected almost 24 million since the start of July, according to the ministry of emergency management. (Photo by AFP Photo/China Stringer Network)

A woman on a bicycle rides past the remains of an Audi sedan set afire by an arsonist recently in Zehlendorf district in a street where two more cars were torched on August 23, 2011 in Berlin, Germany. Police have so far made no arrests in a series of arson attacks that have destroyed at least 70 cars within the last week and show no signs of abating. In recent years several hundred cars have been torched annually and police suspect left-wing radicals. The recent series of attacks, averaging about 10 a day, has been particularly severe. (Photo by Sean Gallup/Getty Images)

Simone Genziuk is one of the star’s of Sydney's Royal Easter Show – not surprising when you see her lift a 75kg washing machine with her hair. The 43-year-old known as Simi is one of the star’s of this year’s Royal Easter Show and it’s all thanks to her hair. Ms Genziuk is no newcomer to the art of circus performing having been an aerial acrobat for 13 years. (Photo by Nathan Edwards/Newspix/SIPA Press)

You have to agree, that most of the designs of the license plates in the United States are pretty boring and bland. In most cases, a three-year-old could have done a better job. This is the reason why Jonathan Lawrence has decided to create a project of redesigning the license plates of all 50 states. His designs feature fresh vibrant colors, as well as clean and readable design. These are the license plates you’d want to use if you have anything that is better than a rundown, old pickup truck (no offence to owners of rundown, old pickup trucks). Some of his designs are humorous, some are strict and official; however, all of them look better than the license plates that are in circulation today. (Photo by Jonathan Lawrence)