Afghan men work in a small sweets factory in Kabul, Afghanistan January 5, 2017. (Photo by Mohammad Ismail/Reuters)

American media personality and socialite Kylie Jenner in the second decade of December 2024 cuddles up to mom Kris in a sweet pic. (Photo by kyliejenner/Instagram)

A fairy tale and movie-themed gingerbread house creation, featuring a reindeer, made by pastry students of the San Ysidro Adult School Culinary Arts program is pictured during their 9th annual gingerbread house competition in San Ysidro, California December 9, 2014. The students' voting results will be delivered back to their class but the official judging will be performed by chefs and culinary experts during the 9th annual event. (Photo by Mike Blake/Reuters)

American singer Tinashe Jorgensen Kachingwe, known mononymously as Tinashe forgot some of her outfit for GQ's Men of the Year party in West Hollywood, California on November 17, 2022. (Photo by Sweet T./Instagram)

British model Cara Delevingne presents a creation for L'Oreal Paris show “Walk Your Worth” as part of the Paris Fashion Week Women Ready-to-wear Spring-Summer 2025 collection at Palais Garnier (Opera national de Paris) opera house, in Paris on September 23, 2024. (Photo by Julien de Rosa/AFP Photo)

American vedette, burlesque dancer, model, and businesswoman Heather Renée Sweet, known professionally as Dita Von Teese looking stunning while advertising new items from her own underwear range in the last decade of January 2023. (Photo by TNI Press Ltd)

Visitors dressed in superhero costumes attend the Paris Comics Expo at the Parc Floral in Paris, France, April 15, 2016. (Photo by Charles Platiau/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)