The May Queen during the Beltane Fire Festival in Edinburgh, Scotland on April 30, 2022. A dynamic reinterpretation of an ancient Celtic celebration of the return of summer, the festival is centered around the story of the May Queen and the Green Man, and the lighting of the Beltane bonfire, symbolic of purification, healing and new life. Edinburgh's Beltane celebrations are the largest of their kind in the world with around 250 volunteer performers and thousands of spectators. (Photo by Jane Barlow/PA Images via Getty Images)

In this September 14, 2017 photo, young women pose for a photo inside their squatter building that used to house the Brazilian Institute of Geography and Statistics (IBGE) in the Mangueira slum of Rio de Janeiro, Brazil. Many lower-middle class Brazilians who gained ground during the boom years have since slid back closer to the poverty line. (Photo by Felipe Dana/AP Photo)

A Palestinian sits among the rubble of buildings destroyed during the Israeli offensive, amid a ceasefire between Israel and Hamas, in Rafah in the southern Gaza Strip on February 4, 2025. (Photo by Hatem Khaled/Reuters)

Planned improvements to Rio’s favelas have meant increases in rent, forcing the poorest families into squatting in unoccupied buildings. Photographer Tariq Zaidi visits the Mangueira community favela, less than 1km from the showpiece Maracanã stadium, to see what life is like for the women living there. Here: Victoria, 12, at her home in Mangueira. (Photo by Tariq Zaidi/The Guardian)

The towers of the Notre-Dame de Paris Cathedral, which was ravaged by a fire in 2019, are reflected in a puddle ahead of the reopening ceremonies, in Paris, France, on December 4, 2024. (Photo by Stephanie Lecocq/Reuters)

Kevin Jay and Nigel Cox perform some light painting on the beach at Frinton-on-Sea in Essex, UK using colour changing LED light wands during a 25-second exposure on March 4, 2024. (Photo by Kevin Jay/Picture Exclusive)

Bristol Museum & Art Gallery representatives on Monday, June 23, 2025 hold an empty frame against Avon Gorge in Bristol, which was painted by JMW Turner in The Rising Squall, Hot Wells, from St Vincent's Rock, Bristol (1792). A fundraising campaign has been launched to bring one of the earliest works by Turner back to the city of Bristol where the artist painted it when he was 17 years old. Bristol Museum & Art Gallery is now keen to acquire the work, which is believed to be the only oil painting Turner made of the city. (Photo by Ben Birchall/PA Images via Getty Images)

The model Dovima in a suit and cloche hat at Les Deux Magots cafe in Paris, France in 1955. (Photo by Richard Avedon/The Richard Avedon Foundation/The Guardian)