The Historic Photographer of the Year awards celebrate historic places and cultural sites across the globe, from national treasures to hidden gems. Entries were judged on originality, composition and technical proficiency as well as the story that inspired the submission and its historical impact. Here: Overall winner. Mont Saint-Michel by Daniel Burton. (Photo by Daniel Burton/The Guardian)

A cast member from The Lion King goes to take up her position for the performance during The Olivier Awards 2019 with Mastercard at the Royal Albert Hall on April 07, 2019 in London, England. (Photo by David Levene/The Guardian)

Bristol celebrates “wonderful diversity” at St Paul's carnival on Saturday, July 6, 2019. Thousands filled the streets for the city’s 51st procession highlighting the contribution of the Windrush generation. (Photo by Alex Turner/The Guardian)

Over the years a large population of grey herons have made an unlikely home in urban Amsterdam. Julie Hrudova documents how the birds integrate into city life. Here: Hundreds of herons come to the city during winter to find food and shelter. (Photo by by Julie Hrudova/The Guardian)

Photojournalist Lauren DeCicca met three Thai families who have created makeshift homes from abandoned aeroplanes in a vacant lot in east Bangkok. This vacant lot on Ramkhamhaeng Road in east Bangkok is locally known as the “Airplane Graveyard”. Here: A child perches in one of the fuselages. (Photo by Lauren DeCicca/The Guardian)

British Alex Yee looks exhausted after the men's individual triathlon race at the Paris 2024 Olympic Games, on Wednesday 31 July 2024 in Paris, France. (Photo by Tom Jenkins/The Guardian)

«Maraatack». Barrio Alto, Almería, Spain. Ribeira took the photographs for her Agony in the Garden series in her native Spain, between 2021 and 2023. (Photo by Lúa Ribeira/The Guardian)

A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)