The Berenson robot strolls among visitors during the exhibition “Persona : Oddly Human” at the Quai Branly museum in Paris, France, February 23, 2016. The Berenson robot, developed in France in 2011, is the brainchild of anthropologist Denis Vidal and robotics engineer Philippe Gaussier. Its programming allows it to record reactions of museum visitors to certain pieces of art and then use the data to develop its own unique taste, which allows “Berenson” to judge whether or not it likes a certain work of art within an exhibition. (Photo by Philippe Wojazer/Reuters)

A 13-month-old chimp named Fumo carries a “Christmas present” of food treats in wrapping paper under his arm during a Christmas-themed feeding time at Sydney's Taronga Park Zoo, December 9, 2014. Fumo, meaning “chief” or “spear” in Swahili, is one of the latest additions to the zoo's successful primate breeding program. (Photo by Jason Reed/Reuters)

Brenda, a Honduran girl who is seeking asylum in the U.S., is carried from the Rio Grande in distress, where she had been bathing across the river from a Brownsville, Texas U.S. Customs and Border Protection tent facility as immigration hearings were being held by video teleconference, in Matamoros, Mexico September 12, 2019. Most of the people living in an encampment near the Gateway International Bridge have been sent back under the “Remain in Mexico” program, officially named Migrant Protection Protocols (MPP). (Photo by Veronica G. Cardenas/Reuters)

A demonstrator sits on the coffin containing the body of a protester who was killed during previous protests in Port-au-Prince, Haiti, Monday, March 4, 2019. Protesters are angry about skyrocketing inflation and the government's failure to prosecute embezzlement from a multi-billion Venezuelan program that sent discounted oil to Haiti. (Photo by Dieu Nalio Chery/AP Photo)

Artist Gaelle Villedary has installed a grass “carpet” across the village of Jaujac in France to celebrate the 10th anniversary of the Arts and Nature Trail program. The green trail is made of 168 rolls of grass and runs for 1,377 feet (420 metres) to connect the village seamlessly to its surrounding natural landscape.

Do you think that history is a science? Well, not exactly. First, and foremost, history is the state's “legend of wars”, it’s official regalia. Of course, public historians are not interested in scientific truth – quite the opposite. In this respect, any attempt to present a state’s history as altruistic and benevolent as possible is welcomed and encouraged – as opposed to any revisionism attempts that may be more accurate. In this matter, Chinese have surpassed us all – they revised in highly creative manner (but rather shamelessly) the technology already invented by Europeans, a process that resulted in oldest state on the planet. Here is an interesting paradox: ask any sinologist about the Middle Kingdom during second century B.C., and he will describe it to you in such a vivid manner as if he has been living there all his life – but as soon as you will ask him to describe Chinese history in the 19-20th centuries… let's say, his eagerness will be greatly diminished. However, we will discuss China in a different article, and in the meantime we will try to understand how exactly historic “legend of wars” is formed and functions – based on a specific and well-known example. A great example is Ferdinand Magellan's first voyage around the world.

The kinetic sculptures created by Anthony Howe are nothing short of a miracle. You simply cannot wrap your mind around the fact that these creations are real. The magic comes from the fact that all the creations of Anthony Howe were first digitally modeled and only then wrought from metal. The resulting pieces of art are mystifying, entrancing, and sometimes even terrifying. For example, one of the earlier creations of Howe is an installation called “About Face”. It is a human face, pieces of which move from side to side, even if there is just a gentle breeze. However, most of his creations are mesmerizing, capturing your mind, as you marvel at their intricacy.

Laszlo Koday was born in Hungary in 1945. In 1970 he began as a self-tought painter. The life and work of Henri Rousseau made a deep impression on him. His pictures are fairy tales expressed by pictorial means, human, animal and nature are equally important in them. There are bright, with unmixed pure colours, compositions wich spread calmness and gaiety. Kaday's works are know not only in Hungary but in many countries and are included in many private and public collections. His paintings can be found in galleries abroad, for example the GINA Gallery.