A pedestrian wearing a face mask to protect against coronavirus, walks in front of a mural, at a metro station in Athens, Greece, Monday, November 15, 2021. Authorities say the rate of death related to COVID-19 in Greece has reached its highest level in six months as roughly one-third of the country's population remains unvaccinated. (Photo by Thanassis Stavrakis/AP Photo)

Residents wearing masks rest in the shade near a graffiti of a dragon, Friday, May 27, 2022, in Beijing. (Photo by Ng Han Guan/AP Photo)

Construction workers walk past a mural in Phnom Penh on September 6, 2022. (Photo by Tang Chhin Sothy/AFP Photo)

An artist draws a mural on a wall during a wall painting competition in Amritsar on February 25, 2023. (Photo by Narinder Nanu/AFP Photo)

A man rides a bicycle past a mural portraying Bollywood actor Aamir Khan and slogans to encourage people to cast their vote, in Jalandhar on May 10, 2024 ahead of the fourth phase of voting of India's general election. (Photo by Shammi Mehra/AFP Photo)

A schoolgirl reacts as she wades through a flooded street during heavy rain showers in Mumbai on August 18, 2025. (Photo by Punit Paranjpe/AFP Photo)

In this September 27, 2017 file photo, girls walk past a wall riddled with bullet holes from shootings between rival drug traffickers, at the Rocinha slum, in Rio de Janeiro, Brazil. Violence is on the rise in Rio's slums after several years of decline, and the killings of kids have shocked even residents long inured to deaths from gangs and police. (Photo by Silvia Izquierdo/AP Photo)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)