“Photographer Mario Testino shot Jennifer Lopez wearing a variety of sports and boxing gear for the cover story of V Magazine’s new “Sports Issue” (no. 76 Spring 2012). The piece, entitled “Tha Lady Is A Champ” was styled by Carine Roitfeld, and sees J. Lo rocking a jock strap, boxing gloves, various leather jackets, robes and often not much else. Jennifer is looking as good as ever”.

A worker prepares the “Cutter Head” of the Port Tunnel boring machine for attachment to the tunneling machine on September 1, 2011 in Miami, Florida. The $45 million machine is longer than a football field and about as tall as a four-story building and it will carve the twin tunnels connecting Watson Island and Dodge Island. The the new $1 billion Port of Miami tunnel is expected to be completed in May of 2014. (Photo by Joe Raedle/Getty Images)

Cathryn Shrimpton, 4, prepares to play the Angle Gabriel during a traditional Christmas Nativity on December 18, 2011, at St Mary's Church, Myton Village, England. In schools and churches around the country children busy preparing and performing in the telling of the traditional nativity story. (Photo by Bethany Clarke/Getty Images)

Jo-Anne McArthur’s book of photographs puts the spotlight on ethics of zoos around the world. Accompanied by essays by Born Free Foundation’s Virginia McKenna and philosopher Lori Gruen, the images and stories are also shared online through “A Year of Captivity”. Here: Asian Elephant, Denmark, 2016. (Photo by Jo-Anne McArthur/Born Free Foundation/The Guardian)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

My name is Jakub and I’m a painter, illustrator & concept artist who lives and work in Poland. My speciality is dark fantasy, character design, concept art and portrait. Since several years I work and paint digitally, but I never gave up traditional drawing and painting. For me the most important in my work, is create unique atmosphere and tell some kind of story through my creations.

Campari has officially unveiled the full imagery for the 2015 Calendar, entitled “Mythology Mixology”. This year’s iconic calendar, which stars the beautiful French born actress Eva Green, is the 16th edition in the collection and is dedicated to celebrating Campari’s unique and intriguing history and the intrinsic stories linked to twelve of its best-loved classic cocktails. Here: Eva Green poses for the month of July. (Photo by Julia Fullerton-Batten/Campari Calendar 2015)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.