Mark Taylor may not have any training as a photographer, but that doesn’t stop him from taking amazing animal photos. From his studio in Southeast England, Taylor has made a big business out of photographing man’s best friends, following in the footsteps of his late mother, Jane Burton. Most of the animals he works with are babies, who are more comfortable in front of the camera than older animals.

Photo: Taylor often uses animals that belonged to friends of his late mother, including this Italian Spinone puppy chewing his tail. Baby animals make ideal subjects, as the older dogs and cats get, the warier they are of spending time in a studio. And his trick for getting this small subject to pose? Dog treats, of course. (Photo by Mark Taylor/Rex Features)

Performers from the Joles ethnic group in Gambia prepare to perform with sharp blades which they say will demonstrate the magic powers of a spiritual water, that will make them immune to the cuts, during a campaign rally by incumbent President Yahya Jammeh, leader of the APRC (The Alliance for Patriotic Reorientation and Construction) in Bikama on November 24, 2016. As electoral favorite Jammeh seeks his fifth term in power, a two-week campaign period will come to an end next week ahead of the December 1st presidential election with political leaders canvassing in rural areas. (Photo by Marco Longari/AFP Photo)

Magnetic Woodlands Wallpaper by Sian Zeng. This magnetic wallpaper will bring fairy tales to life in a child's room. Magical woodlands wallpaper in toile style printed in England with eco friendly inks on paper from sustainable forests. Roll dimensions : 52cm X 10 M Length. Repeat size: 53cm half drop. Magnet receptive liner: 61cm width (no pattern repeat) 2x5m roll a total of 10m. The magnet receptive liner is pasted onto the wall first with pre-mixed wallpaper paste. Once it has dried the Woodlands Wallpaper is pasted on top to create this magnetic woodlands wall.

Even if Men in Black 3‘s story turns out to be a complete disaster, at least the makeup special effects will be quality. Photos show that makeup artist guru Rick Baker has once again worked his magic, and there are going to be more fun aliens this time around. The set photos also show that, as expected, Jemaine Clement‘s villain has some creepy peepers hiding behind his aviator sunglasses. Men in Black 3 opens in 3D on May 25th. (Photo by Stark Industries)

They might look like something straight out of a horror film, but these extraordinary images have been created to show the special bond between cats and their owners. Photographer Sebastian Magnani, 28, from Brig, Switzerland, took pictures of dogs and their owners using the same position and camera settings before working his magic with editing software. The result is this startling set of images, which show the pooches with human clothes – one wearing a hoodie, another with a red coat, one with a shirt and cardigan, and another with a blue jacket. (Photos by Sebastian Magnani)

Tippi aged 6 sitting on the back of Linda, a tamed ostrich in South Africa, 1996. Incredible pictures of the real life Mowgli, a girl who spent the first ten years of her life growing up in the African bush, have been released for the first time. The magical images chronicle the life of Tippi Benjamine Okanti Degré, who was brought up with wild animals, just like Rudyard Kipling's hero did in The Jungle Book. (Photo by Sylvie Robert/Barcroft Media)

Pichi & Avo just sent us a series of pictures from their newest street piece for Mislatas representan 2014 in Valencia, Spain. The Spanish duo quickly painted this amazing street piece which is showing an hyper-realistic greek statue against a graffiti background that really pops. Pichi & Avo are now off to Lisbon, Portugal to work their magic on another mural. Hit the jump for more images on this artwork and then check back with us soon for more updates from Spain.

Allyson Anne Lamb is a Brooklyn based fine artist primarily working in photography. Her work uses the body to explore the complexity of human emotions and the continuous invisible transformations we experience, revealing them as monstrosities or fantastical beings. Through the assembling of body parts, bright colors and fictional spaces that exist in Lamb's magical realm where sexual anxiety, female identity and altered sensorial perceptions are explored, Lamb invites us to participate in an altered state of consciousness. We step in to quaint fragmented realities where we are welcomed to engage in lucid dreaming populated by colorful mutations.