Traditional miners carry sulphur on the Ijen volcano complex on May 25, 2009 outside Banyuwangi, East Java, Indonesia. Miners carry the solidified yellow sulphur blocks from the crater floor to the rim for as many hours a day as they can tolerate, paid by the kilogram of sulphur they extract. The average wage is USD $.05 per kilogram of sulphur and a worker, depending on his strength and stamina, carry on average 3 baskets of 70-80kg per day, earning him around USD $11. (Photo by Ulet Ifansasti/Getty Images)

The Greater Sage-Grouse is certainly a formidable-looking bird. Being the largest grouse in North America and having tail feathers, which look like giant spikes, make for a ferocious sight. These birds are well known for their complicated courtship rituals, in which the males perform a special “strutting display” to attract the females. Another distinct feature of the Greater Sage-Grouse is two large yellow throat sacs (gular sacs), which are inflated by the males during the courtship display. Unlike pelicans, whose gular sacs are used to store fish while hunting, the throat sacks of the Greater Sage-Grouse are merely for display.

“Huangguoshu Waterfall, also known as Yellow Fruit Tree Waterfall, is one of the largest waterfalls in China and East Asia located on the Baihe River in Anshun, Guizhou Province. It is 77.8 m (255 ft) high and 101 m (331 ft) wide. The main waterfall is 67 m (220 ft) high and 83.3 m (273 ft) wide”. – Wikipedia

Photo: The Miao ethnic minority women rest in front of Huangguoshu Cataract, Asia's largest waterfall, on September 13, 2011 in Anshun city of Guizhou Province, China. (Photo by Feng Li/Getty Images)

This series cannot get any cuter! Entitled Life is Adventure, the images portray little kittens and puppies playfully placed within elaborate scenes. To create each setting, the creative team first sketched out ideas and then used everyday household items like books, pillows, and a broom, to bring the imaginative moments to life. In the compositions, kittens ride camels, puppies sail off to sea, upside-down hangars look like seagulls, and a ring of yellow rubber gloves form a sun shining overhead.

A man driving a vintage car reacts as he passes by crabs crossing a highway on their way to spawn in the sea in Playa Giron, Cuba on April 25, 2017. Each year, after the first spring rains, millions of red, yellow and black landcrabs march for days from the surrounding forests to the bay on Cuba's southern coast to spawn in the sea. (Photo by Alexandre Meneghini/Reuters)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

These kaleidoscopic images are the work of one persistent photographer’s efforts to capture vibrant hues at the exact moment a wave breaks. Ryan Pernofski‘s stunning shots feature brilliant yellows, reds, blues and purples as an array of sunlight hits the water at the perfect time. What’s even more impressive: Ryan, a 27-year-old Australian, began shooting his popular masterpieces without using a professional camera, taking his iPhone out into the water instead. Ryan began experimenting with this method in 2012, using an underwater housing to protect his phone, as he could not afford a professional camera. (Photo by Ryan Pernoski/Caters News Agency)

“The inspiration for this book came to me one afternoon as I watched my son, Hudson, playing with his toy bus. I was trying to keep pace with his three-year-old mind as he got deeper and deeper into a fantasy involving nothing more than a yellow plastic box and armless figurines. At least that’s what I saw. He saw frantic commuters rushing to catch the 77 local bus to Australia. He jumped in place, mouth open and slapping his knees, joyously reacting to a world I couldn’t see, but one powerfully present for him...”. – Jordan Matter

Photo: “Dancers Among Us”: Macys, NYC – Annmaria Mazzini. (Photo by Jordan Matter)