Assassin’s Creed is a game that is set in the past with the main character’s subconsciousness traveling through the fabric of time to acquire hidden knowledge. The level designers of Assassin’s Creed Unity have meticulously recreated the streets of 1789 Paris to allow the users to become completely engulfed by the atmosphere of this proud and ancient city. Each year, games are becoming more and more realistic, and soon the line between movie footage and computer generated world will completely blur. This is both scary and exciting prospect, yet there is no doubt that someday, virtual world will be indistinguishable from the real one. To illustrate this, Damien Hypolite has taken a series of photos which compare scenes from Assassin’s Creed to the real placed in modern Paris. (Photo by Damien)

A historical re-enactor poses for a photograph in a living history camp as he prepares to take part in an anniversary event for the Battle of Bosworth near Market Bosworth in central Britain August 22, 2015. The Battle of Bosworth took place in 1485 during the War of the Roses between the Houses of Lancaster and the House of York. King Richard III was defeated by Henry Tudor marking the end of Plantagenet rule and the beginning of the Tudor dynasty. (Photo by Neil Hall/Reuters)

In Weronika Gęsicka’s unsettling images, American archive photography gets distorted into scenes that are both nightmarish yet somehow entirely plausible. Gęsicka is a guest artist at the Circulations festival for young European photographers, Paris, until 5 March. Here: “Untitled #5”. (Photo by Weronika Gęsicka/The Guardian)

Romanian riot police detain a man, face covered in blood, after minor clashes erupted during a protest in Bucharest, Romania, Thursday, February 2, 2017. Brief clashes broke out between protesters and police in Romania¹s capital, as tens of thousands of people protested for the second night a government decision to decriminalise official misconduct. (Photo by Vadim Ghirda/AP Photo)

Joseph Szabo was a frustrated high-school teacher in need of inspiration – so he started photographing his students, and captured all the angst and excitement of being caught between childhood and adulthood. Here: “Priscilla”, 1969. (Photo by Joseph Szabo/Courtesy of Michael Hoppen Gallery/The Guardian)

A policeman aims his weapon in Istanbul, Turkey July 16, 2016. Members of Turkey's armed forces said they had taken control of the country Friday as explosions, gunfire and a reported air battle between loyalist forces and coup supporters erupted in the capital. President Erdogan remained defiant and called on people to take to the streets to show support for his embattled government. (Photo by Kemal Aslan/Reuters)

When he's driving, New York-based painter Gregory Thielker takes in the views that change from moment to moment: the road, the sky, other cars. “Inside the car it's easy to forget the outside temperature, humidity, the noise of the road”, he says. “But something happens when rain interrupts the view: the lens through which we are seeing is revealed. Water both obscures and highlights the landscape”. Gregory Thielker's exhibition “Between here and now” will be at Castor Gallery in lower Manhattan from early March. Here: “Complete Stop”. (Painting by Gregory Thielker)

In a remote location in rural America, a photographer has discovered a rather unique gathering: row after row of presidential busts. Like a zombie graveyard, the field contains 43 gigantic sculptures, ranging from Dick Nixon and FDR to JFK and Honest Abe. The likenesses weigh between 11,000 and 20,000 pounds, with some standing as tall as 20 feet. Almost all the busts are cracked, crumbling and worn by the elements, adding to their eerie appearance but not preventing the presidents from being recognizable at first glance. Here: Abraham Lincoln in front of presidential busts. (Photo by David Ogden/Caters News)