An Aymara woman carries her albino dog on an aguayo during the Christmas parade in La Paz, Bolivia on December 7, 2024. (Photo by Claudia Morales/Reuters)

Kim Goodman, from Chicago, Illinois, US, holds the record for the farthest eyeball protrusion, at 12mm. (Photo by Paul Michael Hughes/Guinness World Records/PA Wire Press Association)

Combat between two male stag beetles, Italy, 2022. During the mating season, male stag beetles (Lucanus cervus) go into a frenzy, with lively but harmless clashes, in which bigger males often have the advantage over smaller ones due to their impressive mandibles. Longer larval development and genetic traits can increase the size of some individuals, but all saproxylic beetles are threatened by poor forest management, logging and dead wood removal to “clean” the forest. (Photo by Iacopo Nerozzi)

American actress and model Barbie Ferreira shows off her figure on New Year’s Eve. (Photo by barbieferreira/Instagram)

This image was taken purely by chance, when Fujioka happened to pass a group of schoolgirls striking a popular social media pose in Hiroshima in 2017. “I didn’t even notice the Atomic Bomb Dome (war memorial) behind them when I photographed this image – the girls probably didn’t either. The past and present of Hiroshima co-exists here, with a river running between”. (Photo by Aya Fujioka)

Sporty Kendall Jenner shows her flexibility as she models Adanola's latest activewear collection on January 8, 2024. (Photo by Sean Thomas/The Mega Agency)

«Female Boxers», 2024. Julia Fullerton-Batten is a fine art photographer renowned for her cinematic visual storytelling. Her large-scale projects are based around specific themes, each image embellishing her subject matter in a series of thought-provoking “stories” using staged tableaux and sophisticated lighting techniques. (Photo by Julia Fullerton-Batten)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)