Vitaly Gorshkov, a wildlife photographer, captured these animals in their natural habitat. He says that these animals are so hairy that it is difficult to distinguish the front from the back. The oxen aren’t really afraid of humans that is why it is easy to approach them and take pictures.

A Libyan rebel fires on a government jet as a natural gas facility burns on the frontline on March 9, 2011 near Ras Lanuf, Libya. The rebels pushed back government troops loyal to Libyan leader Muammar Gaddafi towards Ben Jawat.

A member of the German wireless police picks up signals on the radio equipment he carries on his back, while his colleague takes notes. (Photo by General Photographic Agency/Getty Images). Circa 1925

Captain George Ash lies on his back as he prepares to shoot the bowl from the clay pipe held between a blindfolded corporal's teeth. (Photo by Fox Photos/Getty Images). 18th April 1932

62-year-old Count Scarpa, a quirky millionaire from Sao Paolo, Brazil, announced he has decided to do like the pharaohs and entomb his $500,000 Bentley Continental Flying Spur in his back garden, on Monday, via Facebook.

Women Wrestlers, Bolivia. Lucha libre (Bolivian wrestling) is one of the most popular sports in the country. Women wrestlers are known as cholitas and have in the last ten years become popular in the sport. Here, Carmen Rosa and Yulia la Pacena perform in a benefit show to raise money for the bathrooms of a school in La Paz, Bolivia, 26 June 2011. (Photo by Daniele Tamagni)

Slovenian artist Franc Grom, aged 72, makes unbelievably intricate egg sculptures using just a tiny electric drill and enormous patience. According to National Geographic, when finished, each egg contains approximately 2,500 to 3,500 holes. While Slovene artisans usually paint their eggs using a technique called drsanka by lightly scratching intricate patterns into the surfaces of colored eggs, carving them was solely Grom’s idea.

Tanbo Art is the strategic planting of four varieties of rice which have different colored leaves in order to create a giant image in the rice paddy. This type of aesthetic planting began in the Japanese village of Inakadate in 1993 in order to celebrate the village’s over 2000 year history of rice farming. The practice has spread to other rice cultivating communities in Japan and even other countries such as Thailand and South Korea.