An air plane takes off from the airport as air traffic is effected by the spread of the coronavirus disease (COVID-19) in Frankfurt, Germany, March 16, 2020. (Photo by Kai Pfaffenbach/Reuters)

Admirers of Peruvian clown William Rojas, known professionally as “Chupetin”, carry his coffin during his funeral procession to the Eternal Hope cemetery in Huancayo, Peru, on July 2, 2020. Rojas, 45, died from COVID-19 after five days of being in intensive care. Peru surpassed 10,000 deaths from the coronavirus on Thursday, the health ministry said, a day after the government began easing a national lockdown in a bid to revive the economy. (Photo by Pedro Tinoco/AFP Photo)

A female soldier takes part in a training for women at the Tolemaida Military Air Base in Tolemaida, Colombia, on May 16, 2023. The last time the Colombian Army enlisted women in their ranks was in 1993. Now, 30 years on, more than 1,200 women voluntarily joined the military service in the country. (Photo by Raúl Arboleda/AFP Photo)

A zoo keeper carries a pelican to move it to its winter enclosure at Dvur Kralove Zoo in Dvur Kralove nad Labem, Czech Republic on November 5, 2019. (Photo by David W. Cerny/Reuters)

Steam rises from Lake Superior as the ship St. Clair comes to harbor during some of the coldest temps of the year, Sunday, December 31, 2017, at Canal Park in Duluth, Minn. The St. Clair is a self-unloader built in 1976 at Sturgeon Bay, Wis., and is 770 feet long and has 26 hatches that open into 5 cargo holds, providing a load capacity of 45,000 tons. (Photo by David Joles/Star Tribune via AP Photo)

Kaz Crossley and Laura Anderson seen attending ITV Palooza! at Royal Festival Hall on October 16, 2018 in London, England. (Photo by Splash News and Pictures)

Robert Springett, the Bishop of Tewkesbury, immerses Laura Raymond in cold water for her baptism in a paddling pool during the heatwave at St James Church in Quedgeley, Gloucestershire, UK on June 22, 2025. (Photo by Paul Nicholls Photography)

Here Goes River captures Japanese photographer Aya Fujioka’s home town of Hiroshima in 2017. The award-winning series documents the quiet, everyday spaces of the city – mundane, almost incidental scenes that are suffused with the invisible weight of the past. (Photo by Aya Fujioka)