A woman and a child make a bonfire at a makeshift camp for migrants and refugees at the Greek-Macedonian border near the village of Idomeni, Greece, April 1, 2016. (Photo by Marko Djurica/Reuters)

Internally displaced Syrian children play inside a refugee camp in the Hama countryside, Syria January 1, 2016. (Photo by Ammar Abdullah/Reuters)

These stunning coloured images show detailed x-ray images of everything from skulls to light bulbs. Artist Paula Fontaine, from Westminster Massachusetts, created the images using a process called digital map painting. To create the images the x-ray emission source – the head of the machine on an arm which focuses the beam – is placed over the object. Paula then retreats behind a shielded screen before activating the x-ray exposure. Here: Brain storm, conceptual composite X-ray. (Photo by Paula Fontaine/Barcroft Media)

Russian honour guards wearing protective masks attend the opening ceremony of the 6th International Military Technical Forum “Army 2020” and Army Games in the military Patriot Park outside Moscow on August 23, 2020. (Photo by Kirill Kudryavtsev/AFP Photo)

Travel concept: commercial airplane flying with beautiful charming stewardess on September 12, 2019. (Photo by Volodymyr Tverdokhlib/Alamy Stock Photo)

Surfer Gary Clisby rides his foil board on a morning swell of the coast of Carlsbad, California on May 23, 2018. Harnessing the “foiling” technology more typically seen on racing catamarans in sailing's America's Cup, the surfboards appear to fly above the water thanks to a fin attached to the bottom of the board. (Photo by Mike Blake/Reuters)

Alex Prager is an American art photographer and filmmaker based in Los Angeles. Her photographs primarily use staged actors, models and extras to create “meticulously designed mise en scène”, often described as film-like and hyperreal. “Alex Prager: Silver Lake Drive” is at the Photographers’ Gallery, London, 15 June – 14 October 2018. Here: The Big Valley, Susie and Friends, 2008. (Photo by Alex Prager Studio/Lehmann Maupin Gallery)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)