Mother and son in disguise attend a Halloween celebration at Taipei Children's Amusement Park in Taipei, Taiwan, Sunday, October 29, 2023. (Photo by Chiang Ying-ying/AP Photo)

A woman prays as she touches the carcass of a male elephant after he, according to forest officials, was electrocuted early morning in a paddy field on the outskirts of Guwahati, India, June 20, 2017. (Photo by Anuwar Hazarika/Reuters)

In this Tuesday, May 3, 2016 photo, Madeley Vasquez, 16, breast feeds her one-year-old son Joangel as she waits in line outside a supermarket to buy food in Caracas, Venezuela. Vasquez once ran down the block to avoid getting caught up in a knife fight that broke out when a woman was accused of cutting the line. (Photo by Ariana Cubillos/AP Photo)

Young migrants gesture during a day of solidarity organised by local organizations and resdients for asylum seekers at a makeshift camp outside the foreign office in Brussels, Belgium September 6, 2015. Over 150,000 people seeking to enter Europe have reached Hungary this year, most coming through the southern border with Serbia, and many apply for asylum but quickly try to leave for wealthier EU countries. (Photo by Yves Herman/Reuters)

Japanese Yuuka Hasumi, 17, and Ibuki Ito, 17, also from Japan, who want to become K-pop stars, perform at an Acopia School party in Seoul, South Korea, March 16, 2019. Acopia is a prep school offering young Japanese a shot at K-pop stardom, teaching them the dance moves, the songs and also the language. (Photo by Kim Hong-Ji/Reuters)

Egyptian bootblacks cleaning a European's shoes in Cairo. (Photo by Hulton Archive/Getty Images). Circa 1870

A statue of the Risen Christ is carried during an Easter Sunday procession in Cospicua, outside Valletta, Malta April 5, 2015. (Photo by Darrin Zammit Lupi/Reuters)

Cuban-American artist Jorge Rodriguez-Gerada's six-acre sand and soil “facescape” stretches across the JFK Hockey Field on the north side of the Reflecting Pool along the National Mall October 1, 2014 in Washington, DC. Titled “Out of Many, One” and composed of 2,500 tons of sand, 800 tons of top soil and eight miles of string, the piece is the artist's interpreative blending of 30 different men's faces. Rodriguez-Gereda used high-precision global positioning satellites to place 10,000 wood pegs as waypoints for the giant face. The piece will be open to the public beginning October 4 and will eventually be tilled back into the earth. (Photo by Chip Somodevilla/Getty Images)