A woman lies to pose for her souvenir picture on the glass sightseeing platform on Shilin Gorge in Beijing, China, May 27, 2016. (Photo by Kim Kyung-Hoon/Reuters)

In this Tuesday July 12, 2016 photo, an elephant is lifted by a crane in an upside down position in Lilongwe, Malawi, in the first step of an assisted migration of 500 of the threatened species. African Parks, which manages three Malawian reserves is moving the 500 elephants from Liwonde National Park, this month and next, and again next year when vehicles can maneuver on the rugged terrain during Southern Africa's dry winter. (Photo by Tsvangirayi Mukwazhi/AP Photo)

People take a selfie at the abandoned former Soviet R12 nuclear missile launch site in Zeltini, Latvia, July 22, 2016. Hidden in the forests of Aluksne, near Latvia's north-eastern border with Russia, the remains of a former Soviet nuclear missile base are a magnet for tourists now rather than a top-secret site manned by soldiers. (Photo by Ints Kalnins/Reuters)

A pilgrim prays at Mount Al-Noor, where Muslims believe Prophet Mohammad received the first words of the Koran through Gabriel in the Hera cave, ahead of the annual haj pilgrimage in the holy city of Mecca, Saudi Arabia September 7, 2016. (Photo by Ahmed Jadallah/Reuters)

In this Friday, January 6, 2017, photo, a North Korean woman working at the Kim Jong Suk Silk Mill looks up from her workstation in Pyongyang, North Korea. The silk mill, named after North Korean leader Kim Jong Un's grandmother, is where 1,600 workers – mostly women – sort and process silkworms to produce silk thread that officials at the Pyongyang factory say is made into roughly 200 tons of silk a year. (Photo by Wong Maye-E/AP Photo)

A publican serves a glass of stout to a donkey in the East End of London, 1960s. (Photo by Steve Lewis/Getty Images)

Mananya Boonmee, 49, works on the make-up of a “child angel” doll at her house in Nonthaburi, Thailand, January 26, 2016. A craze for lifelike dolls thought to bring good luck is sweeping Thailand, reflecting widespread anxiety as the economy struggles and political uncertainty persists nearly two years after a coup. (Photo by Athit Perawongmetha/Reuters)

In his series of untitled photographs Nobody Claps Anymore, the Mexican-American photographer Alec Dawson portrays ordinary people in their homes in a downbeat, ultra-stylised manner. Staring into space as they watch TV or water the garden, the real-life subjects of photographer hint at vast reserves of boredom and regret. (Photo by Alec Dawson)