An Indonesian devotee cleans and purifies a holy statue of the Gods with tea, roses and cendana water at Suka Loka Tri Dharma Temple on January 26, 2022 in Surabaya, Indonesia. Countries around Southeast Asia are set to welcome a lively Chinese New Year, despite implementing strict health protocols as Chinese populations curtail celebrations due to the COVID-19 pandemic. The first day of the Lunar New Year, on February 1, will usher in the Year of the Tiger. (Photo by Robertus Pudyanto/Getty Images)

A girl visits by an area decorated with lanterns ahead of the Chinese Lunar New Year festivity at Yu Garden, following the new coronavirus disease (COVID-19) cases in Shanghai, China, January 28, 2022. (Photo by Aly Song/Reuters)

The digital art piece “Visor” by Mad Dog Jones is pictured ahead of an auction at Sotheby’s in London, United Kingdom on June 1, 2021. (Photo by Mad Dog Jones/Reuters)

The Rossiya (Russia) brig sails along the Neva River during a dress rehearsal of the 2021 Scarlet Sails Festival for school leavers in St Petersburg, Russia on June 25, 2021. (Photo by Peter Kovalev/TASS)

Some lost at sea memorials are touched by genius. The images they convey are timeless and universal – like all great art. The designer and sculptor of this unforgettable memorial in Wales is Brian Fell.

Black-headed gulls sit on pickets at a riverside in Tokyo, Japan, December 27, 2015. (Photo by Toru Hanai/Reuters)

During the feudal times, the society was very structured where everyone knew their place. Fishermen knew that they would always have to bend their knee for highborn ladies and gentlemen, while the latter considered themselves to be far too superior to even look at the common folk. Mont Saint-Michel is a living memorial of those times. Its structural composition clearly reflects the structure of feudal society: The monastery and abbey were built on the highest point; housing and stores were built some distance below; finally, fishermen’s and farmer’s houses were constructed, not even being within the city walls, making them the most vulnerable to the possible attack.

The "Square Head" is a sculpture by the french artist Sacha Sosno, and it is also the very first giant sculpture to have been transformed in a habitable building.