A man carries a sheep after it was rescued from mud in Sanliurfa, Turkey on January 9, 2019. Total of 67 sheep and a donkey rescued from mud by gendarmerie forces, firefighters and local people in Sanliurfa's Bozova district. (Photo by Halil Fidan/Anadolu Agency/Getty Images)

Businesswoman and vendor Sonia Maria Paypay sells clothing at a stand at the commercial zone of Gamarra in Lima, April 16, 2015. (Photo by Mariana Bazo/Reuters)

This photo provided by Netflix/naturepl.com and WWF-International shows an African Elephant (Loxodonta africana) in front of double rainbow, in Masai Mara, Kenya, included in the Netflix natural history series, “Our Planet”, in collaboration with Silverback Films and WWF. The eight-part series debuts in 2019. (Photo by Andy Rouse/Naturepl/WWF-International/Netflix via AP Photo)

A partially frozen Niagara Falls is seen on the American side lit by lights during sub freezing temperatures in Niagara Falls, Ontario March 3, 2014. (Photo by Mark Blinch/Reuters)

Paisley, a standard poodle, is pictured at Intergroom in N.J., March 2014. Intergroom is one of the largest cats and dogs grooming conferences in America. (Photo by Paul Nathan/Rex Features)

Going nowhere in a hurry, this friendly Javan Tree frog can be seen casually hopping aboard the slow-paced snail who like a lonely highway trucker is only too happy to have the company. These cute critters chew the fat until froggy reaches his destination and alights at the top of the branch. Creative Designer and amateur photographer Kurit Afsheen (34) was able to capture this special sequence while out in his back garden in Ciledug, Indonesia. (Photo by Kurit Afsheen/Media Drum World)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)