South Korean divers prepare to plunge through a hole in the ice of the frozen Imjin River on January 16, 2005 in Yeonchun, South Korea. (Photo by Chung Sung-Jun/Getty Images)
Munzin Chowdhury (C) and other enthusiasts perform yoga in Times Square during an event marking the summer solstice on June 21, 2011 in New York City. Thousands of yogis will attend the free day-long event in Manhattan on the longest day of the year. (Photo by Mario Tama/Getty Images)
Travellers stop to take a second glance at a model of a giant lady with her head stuck in a photo booth being exhibited in Victoria train station on September 21, 2007 in London, England. (Photo by Cate Gillon/Getty Images)
A woman carries a Persian cat during the “SuperCat Show 2017” on November 11, 2017 in Rome, Italy. Considered the Super Bowl for all things feline, the two-day exhibition features beauty contests, information sessions, shopping and interactive games. (Photo by Alberto Pizzoli/AFP Photo)
Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.
The images in Jessica Hilltout‘s Amen tell a gripping story of the joy soccer provides for Africa’s less fortunate. Inspired by her father, Hilltout set off to photograph soccer in Africa in all its shapes and sizes, coming to the conclusion that “the beautiful game exists in its purest form in what I saw — people playing for the joy of playing.”