A member of the Africa Roho Msalaba church throws a 2 month old baby into the air during the “Throwing babies into the air” ritual in Kibera Slum of Nairobi, Kenya on March 10, 2024. The babies of the members of the Africa Roho Msalaba church, who are not taken out of the house until they are 2 months old and are not allowed to be seen by strangers, are introduced to the community by being paraded through the streets with the 'throwing babies in the air' ritual. (Photo by Edwin Ndeke/Anadolu via Getty Images)

The British alternative rock duo Nova Twins perform on day three of the 2024 Shaky Knees music festival in Atlanta, US on May 5, 2024. (Photo by John D. Shearer/Rex Features/Shutterstock)

Models of Cold War-era Allied (L) and Soviet Bloc weaponry face one another at the new Bundeswehr Military History Museum (Militaerhistorisches Museum der Bundeswehr, or MHM) on October 11, 2011 in Dresden, Germany. The museum, redesigned by star architect Daniel Libeskind, traces Germany military history from 1300 to the present, including during the Nazi period and the Cold War, and also examines the influence of the military on popular culture. (Photo by Sean Gallup/Getty Images)

Tourists walk as others relax on the beach in the Red Sea resort of Hurghada, Egypt, July 17, 2017. (Photo by Gleb Garanich/Reuters)

When Dutch photographer Marcel Heijnen moved to Hong Kong, the territory’s shop cats instantly caught his eye. While the “feline emperors” are the stars, his shots also offer insights into Hong Kong’s wares, from dried fish to paper. Here: Hong Kong Shop Cats #17. (Photo by Marcel Heijnen/Blue Lotus)

Model Jessie May Smart poses with Blue Morpho butterflys, ahead of the opening of, “Butterflies in the Glasshouse”, at RHS Wisley in Wisley, Britain, January 13, 2017. (Photo by Peter Nicholls/Reuters)

Documentary photographer William E. Crawford was one of the first Western photographers to gain access to North Vietnam after the war ended. He has photographed the capital, Hanoi, at regular intervals since 1985, concentrating on the colonial and indigenous architecture, urban details, landscapes and intimate portraits of people in their home settings, street scenes and the city’s surrounding countryside. Here: 54 Hàng Ga (Chicken Street), 1994. (Photo by William E. Crawford from the book “Hanoi Streets 1985-2015: In the Years of Forgetting”)

A young boy lifts heavy bricks as he works at brick factory around Kathmandu valley. (Photo by Narendra Shrestha/EPA)