This photograph taken on January 30, 2025 shows a labourer looking into a Hindustan Ambassador yellow taxi, transporting fish at a wholesale market in Kolkata. Kolkata cherishes its past, which is why the one-time Indian capital is mourning a vanishing emblem of its faded grandeur: a hulking and noisy fleet of stately yellow taxis. (Photo by Dibyangshu Sarkar/AFP Photo)

Even the powerhouse of Europe has its fair share of abandoned properties and empty shop fronts as seen in these pictures of decaying buildings in Germany. Photographer Daniel Barter, 30, from London traveled Berlin and the surrounding countryside to capture buildings in need of work on film. Far from being resplendent in vintage glory, the deserted music venues and crumbling hospitals are a shadow of their former selves. German eagle motifs flake off ceilings and concert halls designed for hundreds have not seen a show for years. Photo: Lung sanatorium. (Photo by Daniel Barter/Caters News)

Richard Silver's photographs show us the world's biggest sights like Machu Picchu in Peru or Copacabana in Brazil. His photos, however, are not simply depictions of the landmarks but planned, artistic visual constructions that, with their playful combinations of sharpness and blur, create new worlds of experience. Photo: Coliseum, Rome. (Photo by Richard Silver)

“Senorita” – California-native fashion model Tiffany Keller heats up photographer Vladimir Marti’s lens for the April 2013 issue of Marie Claire Latin America. The dark-haired beauty poses in the city of San Miguel de Allende, Mexico, donning sultry styles from designer labels selected by fashion editor and stylist Gerard Angulo. (Photo by Vladimir Marti)

Kacper Kowalski was born in 1977. With a degree in architecture, he focuses on aerial photography. Both a pilot and a photographer, he has unique control over each shot. As a result he captures previously unseen natural environments and ordinarily inaccessible cityscapes. In this way unreal, almost graphic pictures come into being. They show patterns, symmetries and asymmetries created by humans and the nature.

These stunning color portraits, produced by the U.S. Office of War Information during World War II depict the role of women in the US war effort. All of the images were shot on 4x5 color transparency film by Howard R. Hollem and Alfred T. Palmer during 1942 and 1943 and were turned over to the Library of Congress Prints and Photographs Division in 1944. They are seen here with their original captions.