Tourists take photographs with a statue of Shakira at the Malecon in Barranquilla, Colombia, on December 26, 2023. Arms interlocked high, belly exposed, and torso folded to one side anticipate Shakira's iconic hip movement, immortalized on Tuesday in a 6.5-meter-high statue in the Colombian port city of Barranquilla, where she grew up. (Photo by Carlos Parra Rios/Reuters)

A street performer walks past an image of a Russian serviceman reading “The Motherland we defend” at a street exhibition of military photos in St. Petersburg, Russia, Tuesday, March 14, 2023. A campaign to replenish Russian troops in Ukraine with more soldiers appears to be underway again, with makeshift recruitment centers popping up in cities and towns, and state institutions posting ads promising cash bonuses and benefits to entice men to sign contracts enabling them to be sent into the battlefield. (Photo by AP Photo/Stringer)

Art graduate Katie Mills with her one of her “Kheeky” face flesh bottles that forms part of her “Bottoms Up” illustration design work during the media preview of the Edinburgh College of Art graduate show in Edinburgh on Friday, August 16, 2024. The exhibition features the work of more than 350 postgraduate students, and is part of the Edinburgh Art Festival, the UK's largest annual celebration of visual art. (Photo by Jane Barlow/PA Images via Getty Images)

«Sharon Wild (from the series The Valley)», 2001. Larry Sultan grew up in California’s San Fernando Valley, which was a source of inspiration for a number of his projects. His series The Valley (2004) addresses the use of ordinary homes as sets for pornographic films, and asks why the ideal of middle-class domesticity lends itself to this most curious form of cultural appropriation. (Photo by Larry Sultan)

«After Presents», 1996. Siri Kaur: “I was 14 when Simran was born in 1990. We have different mothers, so we grew up separately and I made pictures with her whenever I saw her. The work of Sally Mann and Nan Goldin gave me permission to see my family as a valid art subject. This image shows the aftermath of Christmas morning. Simran is unselfconsciously lounging on the floor, melding into her beloved dog”. (Photo by Siri Kaur)

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.

Grafitti by the illusive artist Banksy adorns the levee wall in the Lower Ninth Ward on August 29, 2008 in New Orleans, Louisiana. New works by the artist, whose paintings are also sold in galleries, have been popping up throughout New Orleans coinciding with the third anniversary of Hurricane Katrina. (Photo by Chris Graythen/Getty Images)