Inflatable dolls in the shape of ducks are seen in front of the National Congress during a protest against tax increases in Brasilia, Brazil, March 29, 2016. The campaign “I will not pay the Duck” is organized by the Federation of Industries of Sao Paulo (FIESP) and uses the duck symbol in reference to industries that pay high taxes. (Photo by Gregg Newton/Reuters)

“Early morning in Mandawa, rural Rajasthan: it was the morning of Diwali and the streets were swept by smiling women in brightly coloured sarees as I took an early morning cup of chai. Celebrations started later, when darkness fell”. (Photo by Hamish Scott-Brown/Guardian Witness)

Triston surfs a wave as his father, Todd, watches in Morro Bay. “Hes the most coordinated 3-year-old I've ever seen”, says the 35-year-old captain/paramedic with the Morro Bay Fire Department. (Photo by Joe Johnston/The Tribune of San Luis Obispo)

Earlier this year, Belgian film-maker and artist Vincent Bal stumbled upon an uncanny resemblance to an elephant in the shadow of his tea cup. This gave him the idea for Shadowology, a series of doodles that interact with the shadows of simple, everyday objects: a banknote, some ice cubes and a flower, for example, can turn into a church, a woman and a hippy. “I draw a few lines and I get my image. It’s really the shadows that inspire me”, Bal says. Here: “Stonedog”. (Photo by Vincent Bal/The Guardian)

People visit the art installation “Machine Memories: Space” by Turkish artist Refik Anadol in the exhibition at Pilevneli Art Gallery in I​stanbul, Turkey, 22 March 2021. The exhibition runs until 25 April. (Photo by Sedat Suna/EPA/EFE)