A pool ingeniously filled with clear water in the middle of Lake Kerniki in Greece enabled this shot of feeding pelicans. (Photo by Bence Mate/Close Up Photographer of the Year 2020)

“People of the River”. This is a Karo tribe family; father, mother, two sisters and two brothers. The tribe, who live along the Omo River in east Africa, incorporate rich symbolism into their rituals by using ornate body art, headdresses and body scarification to express beauty and significance. (Photo by Jatenipat Ketpradit/International Portrait Photographer of the Year)

A mock-up of a typical British suburban home is seen sinking into the River Thames, in a protest by Extinction Rebellion to demand faster government action on climate change in London, Britain on November 10, 2019. (Photo by Extinction Rebellion/Handout via Reuters)

John Klatt and the Air National Guard MXS (right) and Mike Wiskus and the Lucas Oil Pitts take to the skies at the Memphis Airshow, on Sat., September 26, 2016 in Millington, Tenn. (Photo by Brandon Dill/Invision for John Klatt Airshows, Inc./AP Images)

Hungarian Puli sheep dog, Fee, jumps over a hurdle during a preview for a pedigree dog show in Dortmund on Thursday April 24, 2008. (Photo by Frank Augstein/AP Photo)

A huge atlas moth, with a wingspan of more than 9in, photographed on an areca nut plantation in Sirsi, India. (Photo by Uday Hegde/Close Up Photographer of the Year)

Nina Leen, one of the first female photographers to work for Life, took pictures for the magazine from 1940 to 1972. In the mid-1940s, her essay, “City Dogs”, featured actors and artists with their pets on the streets of New York City. In late-March, Daniel Cooney Fine Art in New York City, is opening a solo exhibition of Leen’s work that features images from that essay and others. Here: author Fannie Hurst clad in mink coat, enjoying the jumping antics of her Yorkshire terrier Orphan Annie on the street. (Photo by Nina Leen/Pix Inc./The LIFE Picture Collection/Getty Images)

Winner. “I took this vertical image in the Quarry Bay district of Hong Kong during the dusk ‘blue hour’, when there was a perfect balance between the ambient light in the sky and the artificial lights of the high-rise residential buildings”. (Photo by Jatinder Heer/The Guardian)