Films that are being screened are advertised in a makeshift cinema located under a bridge in the old quarters of Delhi, India May 25, 2016. A makeshift cinema hall under a 140-year-old bridge in the Indian capital is allowing poor rickshaw pullers and migrant labourers to escape daily hardship and sweltering heat into a world of Bollywood song, dance and romance. With the rusty iron floor of the bridge as its ceiling and some old rags acquired on the cheap from a nearby crematorium serving as curtains and floor mats, the cinema shows four films a day. (Photo by Cathal McNaughton/Reuters)

A woman carrying a basket of papayas while walking through a vegetable market in Bangkok, Thailand November 11, 2011. (Photo by Kerek Wongsa/Reuters)

Georgian men take a break from selling fruit and vegetable at a street market in Tbilisi, Georgia, Wednesday, July 20, 2016. (Photo by Shakh Aivazov/AP Photo)

A woman loyal to the Houthi movement holds a rifle as she takes part in a parade to show support to the movement in Sanaa, Yemen September 6, 2016. The Saudi-led Arab coalition launched a military campaign against the Huthis and their allies in March 2015, after the rebels closed in on Gulf-backed President Abedrabbo Mansour Hadi in his southern refuge of Aden, forcing him into exile. (Photo by Khaled Abdullah/Reuters)

On Keo Wa, 25, carries her 9-month-old baby while working at a banana plantation operated by a Chinese company in the province of Bokeo in Laos April 24, 2017. (Photo by Jorge Silva/Reuters)

A motorcyclist ferries a pillion rider sitting on goods in Phnom Penh on June 6, 2017. (Photo by Tang Chhin Sothy/AFP Photo)

British Holidaymakers seen partying partying in Punta Bella main Street in Magaluf, a major holiday resort on the Spanish island of Majorca this summer, July 2017. (Photo by Splash News and Pictures)

“Mr Big Dipper”, Nicholas Roemmelt (Denmark). A stargazer observes the constellation of the Big Dipper perfectly aligned with the window of the entrance to a large glacier cave in Engadin, Switzerland. This is a panorama of two pictures, and each is a stack of another two pictures: one for the stars and another one for the foreground, but with no composing or time blending. (Photo by Nicholas Roemmelt/National Maritime Museum/The Guardian)