The Bricksy series has just been released on the artist’s website with accompanying reference thumbnails of the original Banksy work. As the site says, “Bricksy is an edgy, underground LEGO street artist. He is rumored to have inspired Banksy’s iconic works, or is that the other way around?” Classic images such as Kissing Coppers, Naked Man and Balloon Girl all get a 3D reimagining in LEGO form. Image: Brick Cowboy.

Will Burrard-Lucas takes a photo while a Meerkat perches on his lens on January 2014 in Makgadikgadi, Botswana. These adorable Meerkats used a photographer as a look out post before trying their hand at taking pictures. The beautiful images were caught by wildlife photographer Will Burrard-Lucas after he spent six days with the quirky new families in the Makgadikgadi region of Botswana. Will has photographed Meerkats in the past and was delighted when he realised he would be shooting new arrivals. (Photo by Will Burrard-Lucas/Barcroft Media)

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The underbelly of fetish parties has been exposed in photographs captured by Belgian photographer MagLau. The photographer dedicated three years to capturing the obsession with leather and chains, visiting fetish parties through Europe and Japan. The photographer told: “I just took pictures, always finding some beauty in the dark side”. He said that most people were happy to be photographed for the project, with the images included in a new book Fetish Ballad. Aiming to capture the candid moments, he said he never judged but instead wanted to simply observe and understand. Here: Picture from Fetish Ballad book. (Photo by MagLau/Laurent Muschel)

A racoon jumps over a fence in almost deserted Central Park in Manhattan on April 16, 2020 in New York City. Gone are the softball games, horse-drawn carriages and hordes of tourists. In their place, pronounced birdsong, solitary walks and renewed appreciation for Central Park's beauty during New York's coronavirus lockdown. The 843-acre (341-hectare) park – arguably the world's most famous urban green space – normally bustles with human activity as winter turns to spring, but this year due to Covid-19 it's the wildlife that is coming out to play. (Photo by Johannes Eisele/AFP Photo)

The beautiful shots were taken by photographer Amos Chapple using a camera mounted to a quadcopter drone. This enabled him to capture these unusual aerials showing some of Europe’s sights like they’ve never been seen before. Travelling across the continent he took photos everywhere from France and Germany to Spain and Russia. Photo: Clouds swirl through the pillars of Sagrat Cor Church, high on a hill above Barcelona, Spain. (Photo by Amos Chapple/Rex Features)

Campari has officially unveiled the full imagery for the 2015 Calendar, entitled “Mythology Mixology”. This year’s iconic calendar, which stars the beautiful French born actress Eva Green, is the 16th edition in the collection and is dedicated to celebrating Campari’s unique and intriguing history and the intrinsic stories linked to twelve of its best-loved classic cocktails. Here: Eva Green poses for the month of July. (Photo by Julia Fullerton-Batten/Campari Calendar 2015)

Born in Hanoi, 1979, a member of the Young Painter Association of Vietnam, Trang is an emerging young artist whose mind has been engraved with images of the city and the Northern villages. She brings these vivid memories of the villagers and their life to her paintings. She paints scenes of landscapes in thick textural impasto with bright colours of red, orange, yellow, and blue, making the genre of landscape her own. Her paintings depict her passion to showcase the radiance and freshness of the landscapes in Vietnam. For every stroke of brush reflects her burning desire to bring out a world of complications to simple living and a deep appreciation of nature’s blessing and beauty.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.