Festival volunteer Aisling Wilson jumps into the Jump Trump art installation created by artists Erik Kessels and Thomas Mailaender, which is on display at the Golden Thread Gallery in Belfast as part of the 2019 Belfast Photo Festival on June 6, 2019. The exhibition includes the Jump Trump installation on display for the first time in the UK and Ireland. (Photo by Justin Kernoghan/PA Images via Getty Images)

In this photo taken on Saturday, March 9, 2019, a visitor dances in front of a sculpture burning at the Maslenitsa (Shrovetide) festival at the Nikola-Lenivets art park in Nikola-Lenivets village, about 200 kilometers (125 miles) south-west of Moscow, Russia. As part of the celebrations of Maslenitsa (Shrovetide) Holiday in Russian, a folk holiday which heralds the beginning of spring, contemporary artist and park founder Nikolay Polissky built a giant sculpture made of wood and hay which was burnt to ashes during a traditional bonfire. (Photo by Alexander Zemlianichenko Jr./AP Photo)

Natalie Duran, wearing a mask and dressed as Catwoman, climbs on street lights in SoHo as the city continues Phase 4 of re-opening following restrictions imposed to slow the spread of coronavirus on July 25, 2020 in New York City. The fourth phase allows outdoor arts and entertainment, sporting events without fans and media production. (Photo by Alexi Rosenfeld/Getty Images)

An employee of Paris city Hall removes padlocks clipped by lovers on the fence of the Pont des Arts over the River Seine in Paris, December 9, 2014. For years, visiting couples have hung brass padlocks on the iron grills lining the city's bridges to symbolise their undying love – they write their names on the locks, then toss the key into the Seine below. About 700,000 love locks are added every few months and Paris officials say they are damaging the bridges and threatening safety because of the added weight. (Photo by Philippe Wojazer/Reuters)

People appear dangling as a large-scale installation art piece by Leandro Erlich, named “Dalston House”, in London, England. Part of the “Beyond Barbican” summer series of events, the interactive installation is a full facade of a late nineteenth-century Victorian terraced house built on the ground with a large mirror above it to reflect people as to appear dangling from the structure. (Photo by Dan Dennison)

Unwanted phones recreated as interactive birds, part of “Escape III” by Anthony Goh and Neil Mendoza seen on display at the Barbican's Digital Revolution exhibition on July 2, 2014 in London, England. The exhibition brings together artists, designers, film makers, musicians and architects who push the boundaries of creativity that digitial technology can offer, and runs from July 3 until September 14, 2014. (Photo by Matthew Lloyd/Getty Images for Barbican Art Gallery)

Coloured X-ray of a barn owl. A physicist has used X-ray to create an extraordinary collection of artwork. Arie van't Riets pictures reveal birds, fish, monkeys and flowers in an incredible new light. The 66-year-old, from Bathmen in the Netherlands, began X-raying flowers as a means to teach radiographers and physicians how the machine worked. But after adding a bit of colour to the pictures, the retired medical physicist realised the potential for an exciting new collection of art. (Photo by Arie van't Riet/Barcroft Media)

The anthropomorphic robot named hitchBOT sits on the shoulder of Highway 102 to begin its 6000 kilometer cross country journey outside of Halifax, Nova Scotia, July 27, 2014. The hitch hiking robot is part of a social experiment to see if drivers will pick up and drop off the robot in one piece to an art gallery in Victoria, British Columbia. (Photo by Paul Darrow/Reuters)