Moscow riot policemen detain an activist during an unauthorized protest anti-Putin opposition rally to defend Article, 31 of the Russian Constitution which guarantees the right of assembly, in Triumfalnaya Square in Central Moscow, Russia, on December, 31, 2011 (Photo by Konstantin Zavrazhin/Getty Images)

Photo by: Sergey A.; Source: LiveJournal

From Britain to China to Mali, new maps showing travel times to the nearest urban centre reveal huge differences between countries. Using Open Street Map and Google, a University of Oxford team have created a visual breakdown that suggests major inequalities when it comes to commuting. Here: China. The dataset used for China was unique as it relied solely on Open Street Map, due to restrictions on accessing Google data. The population is densely concentrated in the east and accessibility is increased, whereas rural provinces in the west remain remote. (Photo by Daniel Weiss/Jennifer Rozier/Malaria Atlas Project/University of Oxford)

A worker paints the Amazon Tall Tower Observatory (ATTO) in Sao Sebastiao do Uatuma in the middle of the Amazon forest in Amazonas state January 10, 2015. The Amazon Tall Tower Observatory is a project of Brazil's National Institute of Amazonian Research and Germany's Max Planck Institute and will be equipped with high-tech instruments and an observatory to monitor relationships between the jungle and the atmosphere from next July. According to the institutes, ATTO will gather data on heat, water, carbon gas, winds, cloud formation and weather patterns. (Photo by Bruno Kelly/Reuters)

A young girl plays on the glass bottom platform of the Oriental Pear TV Tower as she travels with her family on the second day of the Chinese Lunar New Year holiday, also known as Spring Festival, in Shanghai, China on February 18, 2018. Some 287 million tourists travelled in China during the first four days of the week-long Chinese Lunar New Year holiday, up 11.1 percent from the same period last year, new data showed Sunday. (Photo by Imaginechina/Rex Features/Shutterstock)

A devotee of the Chinese Jui Tui Shrine has his face pierced with metal rods during a street procession during the annual Vegetarian Festival in the southern Thai town of Phuket on October 19, 2015. During the festival, which begins on the first evening of the ninth lunar month and lasts nine days, religious devotees slash themselves with swords, pierce their cheeks with sharp objects and commit other painful acts to purify themselves, taking on the sins of the community. (Photo by Nicolas Asfouri/AFP Photo)

Some companies in Taiwan spend months building temples with bricks and cement, but Lin Fu-Chun's firm simply pours concrete into a giant mould and waits for it to dry. The 78-year-old Lin said his temple factory, Chuanso, needed just over six weeks to finish a building that normally took six months with conventional methods – and moulding was 40 percent cheaper. Here: An employee paints a ready-made Chinese traditional temple at the Chuanso factory that manufactures religious objects in Pingtung, Taiwan July 5, 2016. (Photo by Tyrone Siu/Reuters)

Sleep under the Stars, hosted by Hepburn Wind, has given us an opportunity to enrich our daily life with art. Thanks to this festival, a regular wind turbine was turned into a marvelous peace of art. The artwork is especially noticeable, since its theme greatly contrasts with the background behind the wind turbine. Moreover, the idea of drawing a woman-giantess walking over the mountain tops on a large conical object is quite extraordinary. Nevertheless, the grey and green colors of the picture were very well chosen for this particular image. You can only imagine the obstacles that the artists had to face when making a picture on such a large object. However, nowadays, people never cease to amaze with their ingenuity, leaving us gaping in awe at their creations.

A single object, a single shape, a single colour,' is how Anish Kapoor summed up Leviathan, his response to the Monumenta challenge this year. Radically departing from Christian Boltanski’s busy collage-like approach in Personnes for Monumenta 2010, Kapoor has filled the 13,500 square metre space with a single cavernous entity which surges through the Grand Palais roof.