Canadian artist Ellen Jewett makes extremely detailed animal sculptures that combine realism with curious elements of fantasy.

An internally displaced Afghan girl plays near their shelter at a refugee camp in Kabul January 13, 2015. (Photo by Omar Sobhani/Reuters)

Musician “Girli” poses for a portrait during London Fashion Week in London, Britain February 21, 2017. (Photo by Neil Hall/Reuters)

A saddle-billed stork stands in the grassland at the Nairobi National Park near Nairobi, Kenya January 23, 2017. (Photo by Thomas Mukoya/Reuters)

People take photos with the skyline of the central business district in Singapore on September 10, 2015. (Photo by Edgar Su/Reuters)

Zed Nelson has photographed the same family, once a year on the same day, for 20 years. I take hundreds of photo’s of my extended family all year round, some just languish on my computer screen unseen by anyone, some get printed, some framed. What is really interesting about this project is not only the obvious time scale but his “ analytical approach“. The same plain background is used for each session and he chooses only 1 frame to represent that years image. My many photographs are a mishmash of family events, his create a family history unfolding . Perhaps less really is more.

We – Verena Popp-Hackner and Georg Popp - are professional landscape photographers. While we are based in Vienna/Austria, running our own (rights managed) image library and a small but fine photo-gallery. Photographing our tiny country Austria, with all it's culture and nature, canoeing it's rivers or lakes and hiking the Alps is our profession but our photographic “backyard” includes the rest of the planet as well. We use analog large format cameras almost exclusively for our landscape work, shooting on 4x5” sheet film, to provide clients with the maximum of print-sharpness and details and unsurpassed clarity and depth of focus.

Japanese artist Mami Kiyoshi has spent 15 years creating vivid portraits of people surrounded by their belongings – from wine bottles and violins to the odd stray pet. Mami Kiyoshi’s ongoing series “New Reading Portraits” is, in part, a nod to the mise-en-scène found in traditional woodcut printing. Here: Sakura and Kazuhiro, Tokyo, 2015. (Photo by Mami Kiyoshi/Galerie Annie Gabrielli/The Guardian)