Vanessa Silva, 38, feeds macaws that fly to her apartment window every day looking for food, in Caracas, Venezuela, on November 24, 2014. A group of gold-and-royal blue birds poked their heads through Silva’s window, as if saying “I’m here, is anyone home?” “I’d seen them flying when I was down on the street, and I thought ‘Oh how pretty,’” the 38-year-old said, a macaw eating out of her hand. (Photo by Ariana Cubillos/AP Photo)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.

Nature – first prize, stories. Pandemic Pigeons – A Love Story. The photographer’s daughter, Merel, cowers after Dollie flies past and perches on the balcony before entering the house in Vlaardingen in the Netherlands on 6 April 2020. “She’s still frightened when Dollie suddenly lands on the balcony railing. I hide my smile behind the camera, as I try to comfort her by saying they won’t hurt you. “I thought he was going to attack me”, she replies. As the nesting pigeons keep coming back to our place, slowly my girls have started to appreciate them – perhaps not as much as I do, but it’s a start”. (Photo by Jasper Doest/World Press Photo 2021)

Twenty-four-year-old Maryam Aghayee makes hyper-realistic baby dolls acting as surrogates for some Iranian families who are apprehensive of having more children. “It has been about three or four months since I started this work”, says Maryam in Tehran, Iran on October 7, 2020. “After making my second doll, many orders have been coming in. The second doll was much more realistic than the previous one. After making my second doll, I said that from now on I can take customer orders. I did not intend to start a business from the beginning because it was a hobby, but after the second doll, the demand for these kinds of dolls increased, customers want to have such dolls”. (Photo by Majid Asgaripour/WANA (West Asia News Agency) via Reuters)

On the streets of Kunming, Yunnan Province, you can find odd couple – a dog and a cat who sits on his four-legged companion. They are Vantsay and Mimi. The owner of animals, a 42-year-old retired policeman Xu Jin is surprised with so strong friendship. “When I got the dog, and I began to take her for a walk, the cat became plaintive, – says the man. – So I bought a leash and began to take her too. Soon, however, the cat began to tire and quickly realized that it is much easier to ride on the back of a dog. ”

A parrot stuck on a roof for three days greeted firefighters sent to its aid on August 13, 2018 with a four-letter tirade. Jessie, the multi-lingual Macaw, flipped the bird after escaping from her owner's home in Edmonton, north London, UK. When she could not be lured down from a neighbour's roof, firefighters were called out and told to tell the bird “I love you” – to which Jessie replied “I love you back”. But she then ruffled her would-be rescuers' feathers by telling them to “f**k off” before flying off to another nearby rooftop. The foul-mouthed pet also speaks Turkish and Greek according to its owner, but had its own choice words in English for the rescue team. As Jessie wasn't injured, the firefighters, who had been called in by the RSPCA, left her on her perch. The parrot was later reunited with its owner. (Photo by Rex Features/Shutterstock)

“Dropping” is the work of Italian graphic artist Alberto Seveso. Seveso captured these amazing images or “fluid sculpture” with the use of high-speed photography while mixing ink with oil, as a tribute to the dripping technique of Jackson Pollock. Seveso works from his home town of Portoscuso, Italy creating cutting edge imagery for ad campaigns for companies such as Adobe, Sony, ESPN, Nikon and more. Sevese says of his work: “I don't consider myself as an artist, I'm just someone playing with software and creativity”... (Photo by Alberto Seveso)

“When I was 8 years old, my parents paid a smuggler to take me across the Himalayas, a weekslong walk over the mountains from Tibet to India. It was a trek that tens of thousands of other Tibetans have taken since the Dalai Lama fled a failed 1959 uprising against Chinese rule. My parents must have had their reasons to send me here; they must have had the best of intentions. But 18 years later, I still don't know why they did it. They are not political people. They are small farmers who raise barley and a few yak in a rural area not far from Lhasa, the Tibetan capital. I have not seen them since I left...”. – Tsering Topgyal via The Associated Press. (Photo by Tsering Topgyal/AP Photo)