People will spout about impermanence of digital records, but books are really fragile, too. Alexis Arnold from San Francisco wanted to illustrate that with her project The Crystallized Book: collecting books and growing Borax crystals on them. Books range from literature classics to magazines, and there’s even a mysterious and arcane tome called “Linux: The Complete Manual”.

Using digital editing, designer Anton Repponen places Manhattan buildings in desolate landscapes, “inviting viewers to see them as if for the first time”. Here: 8 Spruce Street/New York By Gehry. Photo by Anton Repponen/The Guardian)

“I am Kylie, a young digital artist based in Singapore. I am inspired by things like shyness and dreams and escapism”. – Kylie Woon. Photo: Temporary blindness. (Photo by Kylie Woon)

“The advent of digital cameras and smartphones killed the traditional mall portrait studio, but 3-D printing has sparked a new trend. Overloaded with digital photos, statues may be moving in to fulfill our desire for portraits that stand out”. – Peter Svensson via The Associated Press. (Photo by Julie Jacobson/AP Photo)

French art director Alexis Persani has collaborated with french photographer Leo Caillard to create a series of in vogue sculptures, entitled “street stone”. The ensembles are achieved through image manipulation, using photoshop to digitally dress the statues in the latest fashion trends. Persani and Caillard created the project as a humorous take on the contrast between contemporary and classic culture, demonstrating the vast metamorphose society has undergone, and continues to.

Invented in 1920′s this could be world’s first navigation system. No satellites or digital screens were used in the making of this portable navigation system. Called Plus Fours Routefinder, this little invention was designed to be worn on your wrist, and the “maps” were printed on little wooden rollers which you would turn manually as you drove along.

The French graphic designer and photographer uses a method he calls “digital matte painting”, layering several photos on top of each other to create an incandescent composition that seems eerily familiar yet ultimately impossible. Filled with tumbling clouds and glowing focal points, the images possess a depth that stretches the two-dimensional canvases backward as violent skies seem to undulate before the viewers' eyes.