This deviantART artist Wood-Splitter-Lee creates her own animal sculptures without the use of any dead carcasses. The basis of each animal's shape is made out of materials such as wood, clay and chicken wire, and is then wrapped up in a soft padding. On top of that, she adds imitation fur that she hand dyes and as many details and decorative elements as she sees fit. The result are truly one-of-a-kind fantasy creatures.

Andy Kehoe recently returned to New York for his third solo show with Jonathan LeVine Gallery. Entitled Luminous Reverie, this show explores the idea of experiencing a lucid moment while drifting along in a daydream. We enjoyed the works, which continued the new direction that he premiered during a show in Los Angeles last year (covered). Again, Kehoe explores the technique of painting layers upon layers of resin and creating a natural 3-D visual element for the viewers to enjoy. This show will be up until June 15th, so stop by and check it out if you’re in NYC.

Hotel CasAnus has all the elements of a great weekend getaway. It's just shaped like a giant human colon. On a small island, nestled between Antwerp and Ghent in Flanders, Belgium, this quaint structure is designed like a humongous intestinal tract, complete with an anus replica.
Originally an art sculpture created by the Dutch designer Joep Van Lieshout, CasAnus is now a part of the Verbeke Foundation art park, one of Western Europe’s edgiest art venues.

In this Thursday, January 29, 2015 photo, the backseat of a rented 1957 Buick is packed to the brim with flowers, to be transported to Havana from San Antonio de los Banos, Cuba. Every Monday and Thursday morning, self-employed flower vendor Yaima Gonzalez Matos leaves her home to visit a dozen farmers who sell her sunflowers, roses, lilies and other blooms. She loads the flowers into the rented American classic and delivers to customers in the capital. (Photo by Ramon Espinosa/AP Photo)

A child watching the sea while residents try to clear the bed of a river that has been blocked by debris left by Hurricane Matthew, in the commune of Roche-a-Bateaux, in the south west of Haiti, on October 21, 2016. At least 546 people were killed and more than 175,000 people lost their homes when Hurricane Matthew roared ashore on October 4, packing winds of 145 miles (230 kilometers) per hour. (Photo by Hector Retamal/AFP Photo)

In this October 21, 2015, file photo, a young man rides a hoverboard along a Manhattan street toward the Empire State Building in New York. More than 500,000 hoverboards are being recalled after reports that they can burst into flames. The Consumer Product Safety Commission said Wednesday, July 6, 2016, it has received 99 reports of battery packs in the two-wheel motorized scooters catching fire or exploding that causing burns or property damage. The recalled hoverboards were made by eight companies. (Photo by Kathy Willens/AP Photo)

Boozed up revellers dressed up in fluorescent colours during the opening day of the 2019 Notting Hill Carnival on August 25, 2019 in London, England. Up to a million people are expected to pack the streets of Notting Hill and surrounding areas over the course of the two day event. The annual celebration of Afro-Caribbean culture takes place each August bank holiday weekend. (Photo by London News Pictures)

Lovely is the correct work to describe this beautiful paintings series by David Renshaw from “Ted n’ Doris – A Northern Romance”. “Deep down I always knew what I wanted to do for a living and in my school years I remember my father teaching me some basic elements of drawing and I dreamed of one day becoming an artist. Being only really interested in art I left school and studied Graphic Design, after which I started work at a local art gallery as a picture framer. I continued to paint alongside my job, mainly developing techniques and ideas and in 2005 decided it was time to follow my dreams and dedicate myself to painting full time. I always try to make my work feel atmospheric, and I like to pay particular attention to sky and cloud formations as I consider this element of my work to be extremely important to the mood of the finished painting, whether it be a dramatic sunset or a misty moonlit night.”