A photo provided by the Atlanta Journal-Constitution shows Atlanta police officer T. R. Coxe removing painted material of a large swastika featuring a likeness of Republican presidential candidate, Donald Trump, along the northbound Buford Highway Connector just south of the Piedmont exit, in Atlanta, Georgia, USA, 09 December 2015. Just days after Donald Trump's call to ban Muslims from entering the United States, someone painted large swastikas featuring the Republican presidential candidate's face on at least two northeast Atlanta bridge supports. The symbol, which includes a cartoon of Trump sporting a Hitler-like mustache, was painted along the Buford Highway Connector. A second, similar image was found on a concrete bridge support on nearby Piedmont Road. Trump said in a statement released on 07 December that there should be a total and complete shutdown of Muslims entering the United States. (Photo by John Spink/EPA/AJC)

A California Highway Patrol (CHP) officer detains a protestor while clearing a pro-Palestinian encampment after dispersal orders were given at the University of California, Los Angeles (UCLA) campus, on May 2, 2024 in Los Angeles, California. The camp was declared ‘unlawful’ by the university and over 100 protestors who refused to leave were detained during the operation. Pro-Palestinian encampments have sprung up at college campuses around the country with some protestors calling for schools to divest from Israeli interests amid the ongoing war in Gaza. (Photo by Mario Tama/Getty Images)

Bus 392 stands on the highway running from Beersheva to Eilat, with windows broken following a gun attack on August 18, 2011 near the Israel - Egypt border, Israel. A series of coordinated gun and roadside bomb attacks against miltary and civilian targets near the Israeli - Egyptian border, including an ambush on the bus travellling 20km north of Eilat, are reported to have left 5 dead and many injured. (Photo by Yehuada Ben Itah/Getty Images)

Vøringfossen is the 83rd highest waterfall in Norway on the basis of total fall. It lies at the top of Måbødalen in the municipality of Eidfjord, in Hordaland, not far from Highway 7, which connects Oslo with Bergen. It has a total drop of 182 meters, and a major drop of 163 meters. It is perhaps the most famous in the country and a major tourist attraction on the way down from Hardangervidda to Hardangerfjord. The name Vøringfossen (Old Norse Vyrðingr) is derived from the verb vyrða (English: esteem, revere). The last element fossen, the finite form of foss (waterfall), is a later addition.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.