President Barack Obama watches as Joey Hudy (L), 14, from Phoenix, Arizona pumps the Extreme Marshmallow Cannon he invented, while touring student science fair projects on exhibit in the State Dining Room at the White House February 7, 2012 in Washington, DC. Obama hosted the second White House Science Fair celebrating the student winners of science, technology, engineering and math (STEM) competitions from across the country. (Photo by Molly Riley-Pool/Getty Images)

British designer Alex Chinneck created the installation - called From the Knees of my Nose to the Belly of my Toes - by removing the facade of a detached four-storey house that had been derelict for eleven years and replacing it with a brand new frontage that leaves the crumbling top storey exposed, then curves outwards so the bottom section lies flat in front of the house.

A laborer works at an upside-down house under construction at Fengjing Ancient Town, Jinshan District, south of Shanghai, March 17, 2014. Workers are putting the final touches on this eccentric tourist attraction built at the “China Folk Painting Village”. Furniture will also be placed upside down in the house, which is expected to open the public in April, according to local media. (Photo by Carlos Barria/Reuters)

Madison Sager (L), Jocelyn Sager and Susan Ihry (C) make their way through the West Acres Mall JCPenney store after 3 a.m. on November 25, 2011 in Fargo, North Dakota. The trio began shopping at 10 p.m. the night before at Walmart. (Photo by Chris Franz/Getty Images)

A model showcases designs by Isola by Megan Gale on the catwalk at the David Jones Spring/Summer 2011 season launch at the Royal Hall of Industries, Moore Park on August 3, 2011 in Sydney, Australia. (Photo by Lisa Maree Williams/Getty Images)

Anne Vyalitsyna and Emily Ratajkowski attend the Bloomberg & Vanity Fair cocktail reception following the 2015 WHCA Dinner at the residence of the French Ambassador on April 30, 2016 in Washington, DC. (Photo by Dimitrios Kambouris/VF16/WireImage)

The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.