Student, Shoukria positions a stone for cutting at the Turquoise Mountain Gem cutting class on May 18, 2011, in Kabul, Afghanistan. The mineral resources of Afghanistan are relatively unexplored even with Afghanistan's mineral wealth of coal, copper, gold and iron ore, with precious and semiprecious stones, including high-quality emerald, lapis lazuli, red garnet and ruby. Given the country's remote and rugged terrain, on-going instability plus an inadequate infrastructure and transportation means that mining is still difficult. While many are trying to bring positive changes, Afghanistan's mining industry uses unregulated, primitive methods and outdated equipment. (Photo by Paula Bronstein/Getty Images)

Nutrias venture near the camera at the river Nidda in Frankfurt am Main, Germany, 15 June 2017. The rabbit sized animals are often confused with biebers by amateurs. (Photo by Boris Roessler/DPA)

A child poses for a photo inside a life-sized doll box after watching the “Barbie” film at the SM North Edsa in Quezon City on July 19, 2023. (Photo by Jam Sta Rosa/AFP Photo)

For over 14 years, photographer Dane Shitagi has been photographing beautiful, strong, and powerful women dancing all over New York City. The juxtaposition of the incredible strength of the dancers’ bodies plus a seemingly devoid urban landscape creates a captivating visual experience. When social media emerged, Shitagi took advantage, creating pages for his photo series on Facebook, Instagram, Tumblr, Pinterest, and Twitter. Currently, it is the largest dance photography page on Facebook with 850,000 “likes” and its Instagram account has about 500,000 followers. (Photo by Dane Shitagi)

Aerial photography platform SkyPixel received 27,000 entries to its 2016 competition. Here are the winning shots plus some of our favourites. Here: Dam near perfect. Second prize in the same category was of the Huia Dam in Auckland, New Zealand. Hong Kong-based SkyPixel was launched in 2014. (Photo by Brendon Dixon/SkyPixel)

America’s Haunts, a trade association, estimates there are 1,200 for-profit haunted attractions in the U.S. plus another 3,000 haunted houses operated by charities that open for only a day or two every year. The commercial attractions collectively bring in from $300 million to $500 million annually. Fright Nights attendees make a turn through one of four haunted houses at this year's spooking season setup at the South Florida Fairgrounds. This house is named The Smiths and was created by Craig McInnis. (Photo by The Palm Beach Post)