Fireworks and light effects illuminate the night sky from the Taipei 101 skyscraper during New Year's Eve celebrations in Taipei, Taiwan, 01 January 2019. (Photo by Ritchie B. Tongo/EPA/EFE/Rex Features/Shutterstock)

A man stands next to a barricade blocking a road during a protest calling on the government to help ease the economic effects of an harmful algal bloom that had affected their livelihoods at Chiloe island in Chile, May 6, 2016. (Photo by Pablo Sanhueza/Reuters)

With the entry of Poland into the European Union in 2004, Warsaw is currently experiencing the biggest economic boom of its history. The opening match of UEFA Euro 2012 is scheduled to take place in Warsaw. (Photo by: ryarwood; Source: Flickr)

Hasty Pudding Theatricals Woman of the Year Sandra Bullock gets kisses from Vice President John Blickstead (L) and President of Hasty Pudding Theatricals Clare Putnam (C) in Harvard Square February 12, 2004 in Cambridge, Massachusetts. (Photo By Douglas McFadd/Getty Images)

Vadim Voitekhovitch was born in a small town of Mozyr, Belarus. He spent most of his life Belarus and he graduated from Bobruisk Art College. From 2004 he lives and works in Germany. His style is quite diverse, but he dedicates most of his time to watercolor and oil. Voitekhovitch likes to draw pictures on history subjects and especially subjects coming from XVIII-XIX centuries.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.