The characters fighting for Westeros in Game of Thrones are fighting mostly for CGI backdrops. Like many others TV series and movies, visual effects is a huge part of the production process as it handles details both great and small. A great credit to Game of Thrones is that the story is so good that we forget about the effects, and another great credit goes to the VFX team because their work is seamless. If you want to see the seams, you have to get a visual breakdown of how the shots are put together.

In this Sunday, March 5, 2017 photo, hospitality staff pose for photos on Tiananmen Square during the National People's Congress held at the Great Hall of the People in Beijing. (Photo by Andy Wong/AP Photo)

The Duchess of Cambridge joins Family Action at a Christmas Tree Farm to mark her new patronage, in Great Missenden, Buckinghamshire, UK, on the 4th December 2019. (Photo by James Whatling/The Mega Agency)

Yawalapiti children play during the preparations for the celebration of “quarup”, a ritual held to honor in death a person of great importance to them, in the Xingu National Park, Mato Grosso State, May 7, 2012. (Photo by Ueslei Marcelino/Reuters)

Morenada dancers perform during the “Senor del Gran Poder” (Lord of Great Power) parade in La Paz, May 21, 2016. (Photo by David Mercado/Reuters)

Bob Steele, of Jefferson, Texas, positions his bears during The Great Bear Show at the Dubuque (Iowa) County Fair on July 25, 2012. (Photo by Jessica Reilly/Telegraph Herald)

A woman bathes into the icy water on Epiphany during a traditional Epiphany at the Great Palace Pond with the Church of the Holy Trinity in Ostankino in the background in Moscow, Russia, on Thursday, January 18, 2024. (Photo by Alexander Zemlianichenko/AP Photo)

Under Exposed: Pekka Tuuri (Finland) – Great white shark, Isla Guadalupe, Mexico. “Isla Guadalupe is the world capital when it comes to observing great white sharks, but cage diving seriously limits the possibilities to take ‘fresh’ pictures. When I took this, the water close to the surface was quite milky, making photography very challenging. From out of the “mist”, I saw this great white shark lurking behind a school of fusiliers. I quickly focused on the shark and set a wide aperture to get focus blur on the fish, along with a fast shutter to avoid excessive motion blur”. (Photo by Pekka Tuuri/The Outdoor Photographer of the Year/The Guardian)