American paratroopers from the the 82nd Expeditionary Rescue Squadron take part in training for rescue operations in East Africa in the last decade of April 2024. (Photo by Senior Airman Olivia Gibson/US Air Force/CMA)

Swimmers in the Sky Pool, a transparent swimming pool suspended 35 meters above ground between two apartment buildings, during hot weather in Nine Elms, central London on Monday, August 12, 2024. (Photo by James Manning/PA Images via Getty Images)

Volunteer of the SICS “Italian rescue dog school”, during a water rescue training session, inside the Averno lake in Pozzuoli. Italy, on October 26, 2024. (Photo by Vincenzo Izzo/Sipa USA)

Chimpanzees are fascinated as bubbles are fired from a bubble gun at the Tacugama Chimpanzee Sanctuary in Sierra Leone in the second decade of June 2024. The keepers used non-toxic soap liquid to create the bubble barrage. (Photo by Renato Granieri/Media Drum Images)

Snails are displayed to be sold on the side of a highway, in Sousse, Tunisia, March 27, 2025. (Photo by Ons Abid/AP Photo)

Sun Model students pose for a photo during a training session at the school on March 31, 2014 in Phnom Penh, Cambodia. Having started in August 2010 with only three models, the Sun Model Agency and School is starting to make an impact in the fashion industry in Cambodia. (Photo by Omar Havana/Getty Images)

A street vendor spreads vermilion powder used for worship during the Tihar festival, also called Diwali in Kathmandu, Nepal, November 9, 2015. Hindus all over Nepal are celebrating the Tihar festival during which they worship cows, which are considered a maternal figure, and other animals. Also known as the festival of lights, devotees also worship the goddess of wealth Laxmi by illuminating and decorating their homes using garlands, oil lamps, candles and colourful light bulbs. (Photo by Navesh Chitrakar/Reuters)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)