A woman carries a bag with a baby while being evacuated by local emergencies ministry members in Donetsk, Ukraine, February 2, 2017. (Photo by Alexander Ermochenko/Reuters)
Backdropped by a night time view of the Earth and the starry sky, the Space Shuttle Endeavour is seen docked to the International Space Station on May 28, 2011. (Photo by Reuters/NASA)
The fairy chimneys are seen with light illuminations created with different techniques in Cappadocia, Nevsehir, Turkiye on August 01, 2024. Fairy chimneys are formed by volcanic eruptions and erosions over millions of years and are considered as one of the unique characteristics of the geography. (Photo by Harun Ozalp/Anadolu via Getty Images)
Contestants in the Miss International Queen, a transgender beauty pageant, in Pattaya, Thailand, on Saturday, August 24, 2024. (Photo by Andre Malerba/ZUMA Press Wire/Rex Features/Shutterstock)
Fog hangs between pine trees in a forest near Neubrueck, eastern Germany, on November 20, 2012. Meteorologists forecast cloudy sky and temperatures around 5 degrees Celsius for the region. (Photo by Patrick Pleul/AFP Photo)
Makeup artists Kamila Wysocka and Alexis Jackson from Florida, point at another costumed person as they eat dinner in their zombie makeup at ComicCon in New York, on Oktober 10, 2013. (Photo by Carlo Allegri/Reuters)
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Dressed in a torn sleeveless t-shirt, sweatpants, and an ominous looking gas mask, the talented mind of Jessica Dunegan swirls with creative ideas for turn flat pictures into surreal pieces of art with depth, texture, and shine. Jessica’s selection of media is far different than most creators of surreal portraits.
“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)