In this January 27, 2015 photo, penguins walk on the shore of Bahia Almirantazgo in Antarctica. Antarctica “is big and it's changing and it affects the rest of the planet and we can't afford to ignore what's going on down there”, said David Vaughan, science director of the British Antarctic Survey. (Photo by Natacha Pisarenko/AP Photo)

In this Friday, February 6, 2015 photo, sandhill cranes begin to stir after resting for the night at a roosting location along their winter migration route in Cecilia, Ky. According to counts made by biologists with the Kentucky Fish and Wildlife Resources, about 12,000 of the birds have stopped in Cecilia this week during their winter northward migration on their way to their nesting grounds in the Great Lakes region. (Photo by David Stephenson/AP Photo)

Lindsay Heimbach goes airborne while sledding down a hill on Mt. Lemmon December 27, 2008. (Photo by James Gregg/Arizona Daily Star)

Imagine living in the sea where it is permanently dark, cold, and food is hard to find. For many animals at depth, it may be weeks to months between meals. If you find something to eat, you have to hang on to it. This is why so many deep-sea fishes have lots of big teeth. This dragonfish, spotted off the coast of Australia, even has teeth on its tongue. They would be terrifying animals ... if they weren’t the size of a banana. (Photo by Julian Finn/Museum Victoria)

Australian artist Polixeni Papapetrou trends the line between fantasy/theatre, mythology/reality, archetype/play, male/female, child/adult and animal/human. As with all her work the series The Dreamkeepers tells a story that includes her autobiographical relationship with her children, but it also says a lot more about the condition of childhood - its place in our culture and how we react to images of children in photography.