American actress Joey King in the second decade of May 2024 shares a silly selfie sipping a cocktail. (Photo by joeyking/Instagram)

American singer-songwriter Katy Perry in the second decade of June 2024 posed in a white bra top with heavy black metallic leg armour to announce her new single Woman’s World. (Photo by Katy Perry/Instagram)

A bomb-laden Su-25 jet at the Hmeimim air base in December 2015. Russia's lease agreement obliged Assad’s military to safeguard the perimeter of the Hmeimim base, while giving Moscow legal jurisdiction over the facilities inside. Negotiating perimeter protection from Syria’s new rulers will be vital for the Russian bases in an era of wire-controlled drones immune to jamming. (Photo by AP Photo)

Revellers participate in a colourful “flour war”, celebrating the “Ash Monday” or “Clean Monday”, a traditional festivity marking the end of the carnival season and the start of the 40-day Lent period until the Orthodox Easter, in the town of Galaxidi, Greece, on March 18, 2024. (Photo by Louisa Gouliamaki/Reuters)

American actress Emma Stone uses her mobile phone to touch up her makeup during the 96th annual Academy Awards ceremony at the Dolby Theatre in the Hollywood neighborhood of Los Angeles, California, USA, 10 March 2024. The Oscars are presented for outstanding individual or collective efforts in filmmaking in 23 categories. (Photo by Caroline Brehman/EPA/EFE)

Kim Joon is a Korean artist who specializes in creating images that resemble hollow porcelain human body parts painted in bold patterns from famous ceramic brands including Royal Copenhagen, Herend, and Villeroy & Boch. His latest project is called The Rocker and features a number of pictures of porcelain hands laying on a dish patterned in style of different famous rock bands of the past. The images are so vivid that it makes you think that these hands are actually real and not digitally crafted, though it would be amazing, if someone were to actually make a creation such as this in real life. (Photo by Kim Joon)

Massive, roiling, atomic explosions are the central subjects of The Sickness of Reason, Robert Longo's exhibition of large, highly detailed, and intensely black charcoal drawings.