Girls pose during a photocall to promote the Big Royal Wedding Sleepover at “Camp Royale” on Clapham Common on March 8, 2011 in London, England. The “Pop Up” campsite will cater for up to 10,500 people between April 28 and May 1 to coincide with the weekend of the Royal Wedding on April 29. (Photo by Dan Kitwood/Getty Images). LONDON, ENGLAND – MARCH 08 2011

Lissy Elle is a Canadian photographer who creates mysterious and dreamy images through the use of props and photo manipulation. Full of woods, classic tales references, giant teacups and girls defying gravity, her work is both engaging and disturbing, it transports us to an oniric world, or is it a nightmare?

Burning Man 2013. The federal government issued a permit for 68,000 people from all over the world to gather at the sold out festival, which is celebrating its 27th year, to spend a week in the remote desert cut off from much of the outside world to experience art, music and the unique community that develops. (Photo by Neil Girling)

New York-based visual artist and filmmaker Rä di Martino has taken a series of eerie and beautiful photos that capture scenes of abandoned Hollywood film sets. Martino spent over a year traveling throughout the desert towns of Morocco and Tunisia hunting down the old Star Wars sets, exploring these massive structures that stand almost like ancient ruins. “No More Stars” showcases the backdrop of Luke Skywalker's home on the fictional desert planet Tatooine. (Photo by Rä di Martino)

Elsa Rhae Pageler, otherwise known as just Elsa Rhae, has the unbelievable knack for transforming her beautiful face into something incredibly scary. Although she began her career in video editing, and still works as one to this day, she has become infamous for her amazing makeup transformations. She took a stage makeup class as an elective to graduate from her film degree in college and soon realized that it was a passion she didn’t even know she had at first.

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.