Black Nazarene devotees clamber on top of one another to to touch the cross on January 9, 2015 in Manila, Philippines. The Feast of the Black Nazarene culminates in a day long procession on January 9 as barefoot devotees march to see and touch the image of the Black Nazarene. The Black Nazarene is a dark wood sculpture of Jesus brought to the Philippines in 1606 from Spain and considered miraculous by Filipino devotees. The event falls a week ahead of the visit of Pope Francis who will travel to Leyte and Manila during his visit to the Philippines from January 15–19. The visit is expected to attract crowds in the millions as Filipino Catholics flock to catch a glimpse of the leader of the Catholic Church. The Philippines is the only Catholic majority nation in Asia with around 90 percent of the population professing the faith. (Photo by Dondi Tawatao/Getty Images)

A visitor takes a photo of a boulder plastic made of synthetic material called “To be in Limbo” hangs from the ceiling of the 20 meter high Jesuit Church in Vienna, Austria, Tuesday, November 25, 2014. The eight meter high, hollow and 700 kilogram heavy sculpture from the artists group Steinbrener/Dempf and Huber is supposed to symbolize faith and its threatening moments. The installation will remain until April 19, 2015 and then move to a church in Hamburg, Germany. (Photo by Ronald Zak/AP Photo)

Model feebee poses as part of art installation “Dazzle room” made by artist Shigeki Matsuyama at Room 32 fashion and design exhibition in Tokyo, Friday, February 19, 2016. Matsuyama's installation features a strong contrast of black and white, which he learned from dazzle camouflage used mainly in World War I, in Tokyo, Friday, Feb. 19, 2016. (Photo by Shuji Kajiyama/AP Photo)

A man passes by an unfinished street art graffiti made in a stairway by French street artists Zag and Sia in Paris on March 1, 2016. The two artists drew inspiration from famous “Liberty Leading the People” (La Liberte guidant le peuple) painting by French Eugene Delacroix commemorating the July Revolution of 1830 and viewed as a symbol of the French Republic. (Photo by Joel Saget/AFP Photo)

Chinese artist Kong Ning walks in her costume made of hundreds of orange plastic blowing horns during her art performance raising awareness of the hazardous smog in front of the Drum tower in a historical part of Beijing on a very polluted day December 7, 2015. Kong, whose works include themes related to China's air pollution problem, named her new performance “The Orange Horns Bride Marries the Blue Sky” and presented it dressed in orange, the colour of the second highest pollution alert level issued again in Beijing as hazardous smog blankets the capital. (Photo by Damir Sagolj/Reuters)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)

Pedestrians and workers pass an upside down car art installation in a car park on the South Bank in London, February 19, 2015. British artist Alex Chinneck's illusory piece, entitled “Pick yourself up and pull yourself together”, and on display in the working car park for a week, sees a Vauxhall car suspended upside down, appearing to be gripping onto a peeled back length of tarmac. (Photo by Toby Melville/Reuters)

French artist Thomas Lamadieu, also know as Roots Art, must really love looking at the sky. Every time he looks up, Thomas sees a potential canvas where the building rooftops frame the sky. He photographs it and uses the odd sky shapes to create whimsical line drawings. “My artistic aim is to show a different perception of urban architecture and the everyday environment around us, what we can construct with a boundless imagination,” says Thomas. (Photo by Thomas Lamadieu)