Howard Jackson, a Liberian migrant, poses for a portrait in the Andalusian capital of Seville, southern Spain March 7, 2016. Jackson escaped civil war and spent three years crossing Africa before reaching Spain. Dressed up in one of his more than 200 costumes, from Peter Pan to Little Red Riding Hood, he is a well-known figure at an intersection entering the Spanish city of Seville where he has sold tissues to motorists for over a decade. Jackson is studying law and wants to become a judge. (Photo by Marcelo del Pozo/Reuters)

A young man with an amputated leg poses for a photograph standing by his broken artificial limb in the rebel-controlled area of Maaret al-Numan town in Idlib province, Syria March 20, 2016. Two university students forced to interrupt their studies have learnt to make and fit hundreds of new limbs in the past four years in opposition-held areas of Syria. A mobile clinic operating from a truck has gone some way to improve access to treatment. While most patients are between 15 and 45, the clinic also helps children and the elderly with replacement limbs. (Photo by Khalil Ashawi/Reuters)

A group of dust covered child labourers gather for a portrait in the brick kiln in Kathmandu Valley, Nepal, 22 February 2015. Bleak photos identify the children working their fingers to the bone in Nepalís brick kilns. Photographer Jan Mˆller Hansen documented the conditions of the brick kilns in Kathmandu Valley, Nepal between 2013 and 2016 while he lived and worked in the area. Jan estimates between 150,000 and 175,000 people are employed in the 200 brick kilns littering the Kathmandu Valley. (Photo by Jan Moeller Hansen/Barcroft Images)

A displaced Yemeni woman from Hodeida fills water containers at a make-shift camp in a village in the northern district of Abs in the country's Hajjah province, on May 9, 2019. The Yemeni conflict has triggered what the United Nations describes as the world's worst humanitarian crisis, with 3.3 million people still displaced and 24.1 million in need of aid. (Photo by Essa Ahmed/AFP Photo)

The Museum of Feelings doesn't really have “exhibits" in the conventional sense; rather, visitors move from one themed alcove to another, five in total, each with its own distinctive aroma. The “Optimistic Room," bathed in vivid pink and purple light, is little more than a lightshow, with patrons using small reflective panels to bounce light around the room. Here: People interact in the “optimistic” room at the Museum of Feelings, a pop-up installation in New York, December 15, 2015. (Photo by Stephanie Keith/Reuters)

South Korean college students wearing masks hold up candles as they march after a rally calling for South Korean President Park Geun-hye to step down in Seoul, South Korea, Saturday, November 12, 2016. Hundreds of thousands of people flooded Seoul's streets on Saturday demanding the resignation of Park amid an explosive political scandal, in what may be South Korea's largest protest since it shook off dictatorship three decades ago. (Photo by Lee Jin-man/AP Photo)

Some artists want to convey some deep message through their art, while some are simply satisfied with shocking the audience. Roderique Arisiaman is the latter kind. Though his works do not play on the strings of our emotion, they can pique the interest with their flashy and sometimes humorous appearance. Many of his works have a zombie theme, and are surprisingly well done, especially the one where a man pushes his fingers through his cheek and into his eye. If given the chance, Roderique Arisiaman would probably do a great job of designing a poster for some zombie apocalypse movie. (Photo and caption by Roderique Arisiaman)

A giant Uncle Sam balloon is marched down 6th Avenue during the 87th Annual Macy's Thanksgiving Day Parade, Thursday, November 28, 2013, in New York. After fears the balloons could be grounded if sustained winds exceeded 23 mph, Snoopy, Spider-Man and the rest of the iconic balloons received the all-clear from the New York Police Department to fly between Manhattan skyscrapers on Thursday. (Photo by John Minchillo/AP Photo)