A demonstrator confronts riot police during a rally in defense of the nationalization of lithium reserves in the country, in Santiago, Chile on January 29, 2018. (Photo by Pablo Sanhueza/Reuters)

Artist Leiomy performs at the Sissy Ball in Sydney, Australia on February 24, 2018. The Sissy Ball is a celebration of voguing – a style of modern dance, a form of self-expression, and a powerful movement that has become a representation for the sociopolitical struggles of the LGBTQI+ community. (Photo by Ken Leanfore/Red Bull Music)

Barrier tape is tied around 15-month-old Shivani's ankle to prevent her from running away, while her mother Sarta Kalara works at a construction site nearby, in Ahmedabad, India, April 19, 2016. Kalara says she has no option but to tether her daughter Shivani to a stone despite her crying, while she and her husband work for 250 rupees ($3.8) each a shift digging holes for electricity cables in the city of Ahmedabad. There are about 40 million construction workers in India, at least one in five of them women, and the majority poor migrants who shift from site to site, building infrastructure for India's booming cities. Across the country it is not uncommon to see young children rolling in the sand and mud as their parents carry bricks or dig for new roads or luxury houses. (Photo by Amit Dave/Reuters)

Mareya Wae U Seng of Thailand performs during Individual qualification and Individual team final subdivision 2 of Rhythmic Gymnastics final at the 19th Asian Games in Hangzhou, China, Friday, October 6, 2023. (Photo by Eugene Hoshiko/AP Photo)

This photo taken on December 2, 2023 shows pandas eating inside their enclosure at a zoo in China's southwestern Chongqing municipality. (Photo by AFP Photo/China Stringer Network)

A woman wearing a costume takes selfies while waiting for a photo shooting session in front of the Saint Sophia Cathedral in Harbin, Heilongjiang province, China on January 5, 2024. (Photo by Tingshu Wang/Reuters)

China's Qinwen Zheng celebrates with fans after winning their second round match against Britain's Katie Boulter at the Australian Open in Melbourne on January 18, 2024. (Photo by Edgar Su/Reuters)

People visit an installation by the American sculptor, Carole Feuerman, during the exhibition of her hyperrealistic sculptures at Pier 17 in the trendy neighbourhood of Seaport in New York City on June 1, 2024. (Photo by Milo Hess/ZUMA Press Wire/Rex Features/Shutterstock)