A person wearing a face mask is reflected in an art work entitled “A=V” by Ben Cullen Williams, amid the coronavirus disease (COVID-19) outbreak, in Covent Garden, London, Britain on October 16, 2020. (Photo by John Sibley/Reuters)

Workers fold up a billboard to prepare for the coming of typhoon Vongfong, in Manila, Philippines on Thursday May, 14, 2020. The first typhoon to hit the country this year roared toward the eastern Philippines on Thursday as authorities work to evacuate tens of thousands of people while avoiding overcrowding in shelters that could spread the coronavirus. (Photo by Aaron Favila/AP Photo)

Employees work on a crane above an E-70 wind turbine manufactured by German company Enercon for La Compagnie du Vent during its installation at a wind farm in Meneslies, Picardie region, France July 31, 2014. (Photo by Benoit Tessier/Reuters)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.

Morgan Davidson is a twenty one year old artist who specializes in highly saturated, realistic color pencil illustrations. Her work includes detailed studies of body parts like the mouth, eye and heart. It also includes still life portraits like the one of herself in this series where the artist's hair is adorned with various found objects. Morgan's work is not simply realism, instead she stylizes the images to fit her own creative vision.

Employees work at a sorting centre of Zhongtong (ZTO) Express ahead of the Singles Day shopping festival, Chaoyang District, Beijing, November 8, 2015. On China's giant Singles Day internet shopping festival, the country's delivery firms are stretched so thin that they are looking for tie-ups, listings and new investors to husband their resources. (Photo by Jason Lee/Reuters)

At first glance, Korean artist Kyu-Hak Lee's mixed media mosaics come off as fairly straightforward recreations of iconic works of art. But upon closer inspection, there's more depth to Lee's works than expected. Using a specific technique – rolling strips of magazine and newspaper pages around small bits of wood – Lee replicates brushstrokes, patterns, and colors to create a commentary on consumerism and worth.