A bodypainter uses UV paint to create electrifying masterpieces of stunning landscapes on models. John Poppletons vibrant Bodyscapes feature bright savannahs, lightning storms and vivid galaxies leaping from the bodies of his subjects. The artist, who lives in Wellsville in Utah, USA, uses a black light on his paintings to make them look as close to real life as possible. He predominantly uses female models and often paints across their backs to give him the largest surface area to work with. Here: “Bamboo Mist”. (Photo by John Poppleton/Caters News)

As part of FLAIR Melbourne – a Flinders Lane art festival – Melbourne’s Lisa Minogue presents stylised photographic portraits of Australian women of colour, their faces painted vibrantly to accentuate their individuality and encourage the viewer to study each face more closely. Minogue asked each woman the same question: “What do the words “coloured girl” mean to you?”. (Photo by Lisa Minogue/The Guardian)

This artwork created using the end of a drill is the work of Swiss photographer Fabian Oefner who captures the flight of paint in just one 40,000th of a second. His latest Black Hole series celebrates the physics of centripetal force and the effects it has on simple paint and a an ordinary drill with a metal rod connected on the end. The incredible result of Fabians work comes out looking like a picture taken on the Hubble Telescope of some cosmic event. (Photo by Fabian Oefner/Caters News)

For the April cover shoot of Interview Magazine, photographers Mert & Marcus (Mert Alas and Marcus Piggott; Mert (from Turkey) and Marcus (Welsh from the UK) are one of the premier photographers in the world) captured the stunning Keira Knightley in an attractive black and white photo spread. Rocking pieces from Louis Vuitton, Balenciaga, DVF, and YSL, Knightley looks hot and seductive with a cigarette hanging from her boldly painted lips.

A man covered in motor oil, poses for a picture next to a girl dress a traditional clothes during a festivities in honor of Santo Domingo de Guzman in Managua, Nicaragua, Saturday, August 1, 2015. Some of the faithful coat their bodies in a black motor oil, red paint and wear traditional clothes as a promise for a prayer or miracle they believe was performed or answered by Managua's patron saint, Santo Domingo de Guzman. (Photo by Esteban Felix/AP Photo)

A polar bear whose bottom half is caked in oily black gunk. A whale wrapped in striped fabric: a pseudo straightjacket. These are the messes climate change leaves behind, the things we know are happening but often don’t have the opportunity to see with our own eyes. Swiss street art duo Christian Rebecchi and Pablo Togni, otherwise known as NeverCrew, met in art school when they were 15 and started making work together soon after. As a team, the artists adorn the world with eye-popping and gut-wrenching images depicting the consequences of humanity’s actions on earth. (Photo by NeverCrew/The Huffington Post)

Roza Khamitova was born into a family of artists in Kazakhstan. After finishing design school in Manhattan, New York, she was working in fashion industry for about 8 years. As a visual artist Roza had always drawn most of her inspiration from the natural world around her in the mountains of Kazakhstan. In 2011 she launched Shovava, her personal line of women’s clothing based on her hand drawn paintings and prints of the animals, plants and patterns found in nature. Roza was enchanted by the beauty of wings, its structure and symbolism. First, she sketches big wide-spread wings on paper with a light pencil, adds black ink to create a three-dimensional feel and fills with stunning watercolors.

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)