Young men play basketball on an improvised court wedged between a construction site and the shells of once grand colonial homes in Havana, July 20, 2015. As much as the young in Cuba welcome political opening and economic reform, such changes are unlikely to filter down to their lives anytime soon. (Photo by Meridith Kohut/The New York Times)

Participants pass an egg using their mouths during a religious ritual as they play the role of traditional fighters in a parade during the Popo (Mask) Carnival of Bonoua, in the east of Abidjan, April 18, 2015. The carnival has its origins in the changes that Aboure youths in Bonoua introduced to the annual festival of yams. (Photo by Luc Gnago/Reuters)

A competitor participates at the World Pole Dancing Championship 2012 held at the Volkshaus on November 10, 2012 in Zurich, Switzerland. The public's perception of pole dancing has recently changed to become a popular sport combining physical strength, technique and choreography. (Photo by Harold Cunningham)

Vehicles are burning as thousands of people take to the streets during the May Day demonstrations on May 1, 2018 in Paris, France. This month celebrates the 50th anniversary of May 68 when France seen millions of students and striking workers, come onto the streets in demonstrations that changed the country. (Photo by Jeff J. Mitchell/Getty Images)

A mock-up of a typical British suburban home is seen sinking into the River Thames, in a protest by Extinction Rebellion to demand faster government action on climate change in London, Britain on November 10, 2019. (Photo by Extinction Rebellion/Handout via Reuters)

In this January 12, 2015 photo, a wall of collectable sneakers are displayed at Sneaker Pawn in the Harlem section of New York. Basketball sneakers can re-sell for hundreds of dollars, depending on the model, the size of the production run and how easy it is to find a pair in good condition. (Photo by Seth Wenig/AP Photo)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

“Over three years I photographed fans outside different concerts. I was fascinated by the different tribes of people that attended them, and how people emulated celebrity to form their identity. As I photographed the project I began to see how the concerts became events for people to come together with surrogate “families”, a chance to relive their youth or try and be part of a scene that happened before they were born” – James Mollison.

Photo: Madonna fans. (Photo by James Mollison)